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MUTI’S NECKLACE

THE OLDEST STORY IN THE WORLD

Inspired by an ancient tale (probably “The Story of the Green Jewel,” although the author does not name it), and subtitled “The Oldest Story in the World” (which other sources identify as Gilgamesh), this is the story of Muti, “daughter of Egypt,” who from birth has worn the precious turquoise-and-carnelian necklace crafted by her loving father. When, at age 13, this shapely, Cleopatra-kohled beauty goes “to work for King Snefru, mighty Pharaoh of all Egypt,” the chiseled young ruler, impressed by her grace and strength (laundering whilst dressed and bejeweled to the nines), insists that she head an all-girl rowing crew. This leads to the loss of her necklace, her death-defying refusal to continue to power the Pharaoh’s boat and the Royal magician’s Moses-like parting of the waters of the lake to allow Muti to retrieve her treasure. Evocative pretend-papyrus papers and glowing, detailed watercolor-and-gouache pictures of the comely Pharaoh, his serving girls in richly adorned, diaphanous dresses and Egyptian icons galore give a fairy-tale feel to this immoderately romantic telling. (Picture book. 5-9)

Pub Date: June 26, 2006

ISBN: 0-618-53583-7

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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MUMBET'S DECLARATION OF INDEPENDENCE

A life devoted to freedom and dignity, worthy of praise and remembrance.

With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.

In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.

A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)

Pub Date: Feb. 1, 2014

ISBN: 978-0-7613-6589-1

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Oct. 8, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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LET THE CHILDREN MARCH

A powerful retrospective glimpse at a key event.

A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.

Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.

A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)

Pub Date: Jan. 2, 2018

ISBN: 978-0-544-70452-7

Page Count: 40

Publisher: HMH Books

Review Posted Online: Oct. 15, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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