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THE LOST ART OF DYING

REVIVING FORGOTTEN WISDOM

A wise and reassuring guide for confronting death.

A physician draws wisdom from a late medieval text to transform our thoughts and fears about dying.

When a terminal patient’s life is prolonged with desperate medical procedures, that individual’s final moments may be sadly compromised. Yet reliance on modern medical interventions has become increasingly common in our culture. As Dugdale, the director of Columbia University’s Center for Clinical Medical Ethics, writes, “in failing to die well, we fail to live well.” Beginning with a case study example, the author relates how woeful such a failure can be. The patient was an elderly man approaching the end of a lengthy battle with cancer, and no one in his family was prepared to acknowledge his approaching death, insisting that every effort be made to keep him alive. In his final hours, he suffered through several unnecessary resuscitations, resulting in a long, painful death. Such examples led Dugdale to seek out a more compassionate alternative. In her studies, she was inspired by the holistically grounded approach to dying examined in ars moriendi (“the art of dying”), a 15th-century text that contains intriguing reflections on death as an essential aspect of living requiring careful preparation. “Although more than six hundred years have passed, I have been repeatedly struck by the need for a similar handbook today,” writes Dugdale. “That’s why I wrote this book. Although some of the original ars moriendi content is less relevant to the diverse and global twenty-first century, it nevertheless offers rich wisdom on how we might die well.” Throughout the book, Dugdale balances her clinical experience with an openly holistic mindfulness, and she thoughtfully expands on the relevant lessons of ars moriendi: acknowledging our human finitude, or what it means to be mortal; embracing a meaningful community; facing a fear of death; and giving consideration to the decision of whether to die at home or in a hospital or other setting.

A wise and reassuring guide for confronting death.

Pub Date: July 7, 2020

ISBN: 978-0-06-293263-1

Page Count: 272

Publisher: HarperOne

Review Posted Online: April 6, 2020

Kirkus Reviews Issue: May 1, 2020

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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F*CK IT, I'LL START TOMORROW

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.

“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

Pub Date: April 20, 2021

ISBN: 978-1-4197-4478-5

Page Count: 184

Publisher: Abrams

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: June 1, 2021

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