by Lu Clifton ‧ RELEASE DATE: Feb. 19, 2018
Another sharp mystery in a continually improving series.
Awards & Accolades
Our Verdict
GET IT
In the third installment of Clifton’s (The Bonepicker, 2017, etc.) thriller series, Detective Sam Chitto of the Choctaw Tribal Police in southeastern Oklahoma tries to prove a high schooler innocent of murder while also digging into his own father’s decade-old homicide.
Chitto first hears about Bobby Taneyhill from two concerned members of the Choctaw Nation Tribal Council, one of whom is his mother, Mattie Chitto. She and June Biggers want him to help the teen, who’s been charged with first-degree murder for the mutilation death of 33-year-old Muriel Simpson. Authorities are discounting an alibi supplied by Bobby’s tribal-elder grandfather, Charlie Walker, and instead rely on circumstantial evidence: the boy’s graphic novels, which are filled with savage imagery that he drew. The murder victim had worked at the Spiro Mounds Archaeology Center, near where Chitto’s cop father, Will, and Will’s partner, Bert Gilly, were murdered 10 years ago. Chitto’s boss, Dan Blackfox, allows him to pursue a low-profile investigation into Bobby’s case, which is currently in trial, but he tells him to avoid his father’s. Regardless, Chitto delves into both from a rented cabin near the Spiro Mounds, bringing along his trusty hound, Boycott, and consulting with his administrative assistant, Jasmine Birdsong, by phone. He already has a suspect in his father’s murder, but he’s still searching for one for the more recent homicide. Clifton dives right into the mystery at the start of the novel, opening with Mattie and June’s emphatic entrance into Chitto’s office, soaking wet from a thunderstorm. The concurrent investigations are equally engrossing; at one point, for example, Chitto questions why he never learned of a relevant phone call that Gilly received; meanwhile, his suspect list for the Simpson murder wisely includes Bobby. There’s more focus on the present-day case, which intermittently puts Chitto in the role of spectator, watching the trial unfold in the courtroom. It’s surprisingly exhilarating to watch Chitto race to catch up with two cases that are already well underway. The various characters are vibrant, but Jasmine, once again, shines brightest, handling the bulk of the story’s dry humor; in one scene, for instance, she demands a raise but immediately settles for two weeks of Chitto's buying her coffee.
Another sharp mystery in a continually improving series.Pub Date: Feb. 19, 2018
ISBN: 978-0-9985284-2-7
Page Count: 316
Publisher: N/A
Review Posted Online: Feb. 11, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
Share your opinion of this book
by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Share your opinion of this book
More About This Book
BOOK TO SCREEN
by Graham Swift ‧ RELEASE DATE: April 5, 1996
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Share your opinion of this book
More by Graham Swift
BOOK REVIEW
by Graham Swift
BOOK REVIEW
by Graham Swift
BOOK REVIEW
by Graham Swift
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.