by Luanne Rice ‧ RELEASE DATE: Feb. 26, 2019
An intriguing concept overtaken by thin characters and poor pacing.
Nearly a year after the death of her best friend, Lizzie, 15-year-old Emily is abducted by Lizzie’s parents to fill the void in their lives.
Emily wakes up in Maine, far from her Connecticut home, to find her hair dyed black and her eyes changed to green by contacts, making her look just like Lizzie. Lizzie’s mother tells her that as long as she cooperates, no harm will come to her or her family. Good behavior earns her a television and meals upstairs. Bad behavior means starvation and isolation. Emily begins to play along, determined to keep her family safe while at the same time finding a way to escape. But with Lizzie’s mother, father, and sister always watching, she fears she will be trapped in this nightmare forever. Then she meets Casey, a musically gifted boy who is legally blind. Together they come up with a plan to help Emily escape her prison. In this psychological thriller that studies the depths of grief, Emily’s empathy for her kidnappers keeps the sensationalism to a minimum by personalizing the betrayal. A preponderance of backstory slows the narrative and deflates the tension. Ultimately this is a story about love and loss threaded through with moments of a tense thriller. All main characters are Irish-American Catholics.
An intriguing concept overtaken by thin characters and poor pacing. (Thriller. 12-15)Pub Date: Feb. 26, 2019
ISBN: 978-1-338-29850-5
Page Count: 352
Publisher: Scholastic
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Sarah Arthur ‧ RELEASE DATE: Jan. 30, 2024
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by James Patterson & Emily Raymond ; illustrated by Valeria Wicker ‧ RELEASE DATE: April 26, 2022
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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