by Luc Besson & translated by Ellen Sowchek ‧ RELEASE DATE: Sept. 1, 2005
This is the second half of the famed director’s children’s fantasy that began with Arthur and the Minimoys (p. 535). It is very bad indeed; however, attention must be paid, because Besson is making a movie of it, voiced by people like Madonna and David Bowie. The mishmash of a plot is matched by extraordinarily clichéd writing—blood runs cold, all is lost, panic in the street, and on and on. Arthur, the ten-year-old hero, is miniaturized and under the garden of his grandmother’s house, trying to save the Minimoys who live there from the evil Maltazard. In addition, he must rescue his anthropologist grandfather, and keep his grandmother’s house from their evil landlord Davido. He is helped in his mission by Selenia, princess of the Minimoys. (She chooses him to be her king and seals their union by a kiss in the way of Minimoys; what this means for ten-year-olds can only be answered by the mind of the man who created The Fifth Element). Others aiding in the quest include her brother, a mole and Arthur’s rescued grandfather. Genuinely, entirely and irredeemably awful and rescued by not a shred of imagination or delight. (Fantasy. 8-12)
Pub Date: Sept. 1, 2005
ISBN: 0-06-059626-0
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
Share your opinion of this book
More by Luc Besson
BOOK REVIEW
by Luc Besson & translated by Ellen Sowchek
by Dav Pilkey ; illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 26, 2014
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Share your opinion of this book
More In The Series
by Dav Pilkey ; illustrated by Dav Pilkey
More by Dav Pilkey
BOOK REVIEW
by Dav Pilkey ; illustrated by Dav Pilkey color by Jose Garibaldi & Wes Dzioba
BOOK REVIEW
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
BOOK REVIEW
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Share your opinion of this book
More by Neil Gaiman
BOOK REVIEW
by Neil Gaiman ; illustrated by Various
BOOK REVIEW
by Neil Gaiman ; illustrated by Chris Riddell
BOOK REVIEW
by Neil Gaiman ; illustrated by Divya Srinivasan
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.