A heartfelt if uneven collection on the stars and zhlubs worth remembering. Embracing a personal, not theoretical, approach to film (where it’s “just you and that mug up there on screen”), Sante (Low Life, 1991, etc.) and Pierson (The Perfect Vehicle: What It Is About Motorcycles, 1997) undertake a “proper investigation of the screen’s ordinary Joes” and the stars who “render themselves ordinary” to viewers. Readers who spent childhoods awash in The Million-Dollar Movie will be pleased with the homages to the scene-stealing character actors who ensured that the story ahead would be jake. Sante does a cheery roundup of worthy (and half-forgotten) male suspects like Andy Devine, Ralph Bellamy, and Raymond Burr, who, Sante posits, “would have made a better Goldfinger.” In a lovely ode to “Warner Bros. Fat Men,” Dana Gioia bemoans the current cinematic world where “even the heavies are skinnies” and honors past corpulent heroes Sydney Greenstreet and Eugene Pallette, both of whom require a citation from Thomas Aquinas to define their beauty. Charles Simic conveys the erotic hold Gene Tierney had on postwar viewers, including himself, on the strength of one film, Laura. John Updike does likewise for his heartstopper, Suzie Creamcheese—a.k.a Doris Day. Elsewhere Day’s Pillow Talk co-star Thelma Ritter is given her due as an alternative persona for any non-heartstopping female viewer. For those who accept that good films have been made since The Godfather, there’s a tidy analysis of Robert Carlyle’s appeal and an enlarging look at J. T. Walsh. But some of the appreciations don’t convince, such as those for Timothy Carey, Jeanne Moreau, and Jean Arthur. Like an old drive-in double bill of Bananas and Kotch, the works here span the memorable and the middling. But the faces invoked will remain, sending readers running to Blockbuster for Casablanca or Rear Window—and not just to see the stars. (b&w photos, not seen)
Pub Date: Oct. 22, 1999
ISBN: 0-375-40101-6
Page Count: 304
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
