A skillful exploration of a tween boy’s coming-of-age.

A TUNNEL IN THE PINES

During summer vacation, a boy faces difficult choices during a club initiation in Greene’s debut YA novel.

School is almost over, and narrator Wills and his best friend, Andrew Wyler, have plans for a new club called the Annelids, named after worms that Andrew finds interesting. The invitation list includes the boys’ closest friends, but inevitably, Wills’ older brother, Taylor, and Taylor’s friend Strat Sherwood find out about the club. They insist on being part of it, too, but they’re bullies who have a tendency to take things over. “Having Taylor involved in this club is not making my life any easier,” thinks Wills. At the first club meeting, Wills makes a suggestion for an initiation: “How about we dig a really deep tunnel and make like the worms do, join our powerful brothers underground?” Taylor and Strat seize on this idea, liking the thought of a bravery test to weed out the weak. The boys organize and carry out their plan, finding a good location in the pine woods, gathering tools and plywood, making scale drawings, and digging out stones and roots. During this process, Wills finds Andrew’s journal and discovers that his friend has severe asthma, but he keeps the secret, as his friend is already picked on enough. When the tunnel is complete, the initiation rites will test the boys’ courage and resourcefulness. Greene ably presents the contradictions and difficulties of growing up from a boy’s point of view. Wills and his friends are at an age when girls are still “others” and boys fear looking weak more than anything else in the world. Wills, however, is kind; noticing his mother’s laugh lines, he thinks, “It’s my mission to get her laughing as often as I can.” Still, pressure from the older, challenging boys gets to Wills; he has to admit that he’s been a jerk sometimes, that Andrew has reason not to trust him with the news of his diagnosis, and that maybe he’s become too much like his brother. The way that Wills navigates his competing instincts is realistic and moving.

A skillful exploration of a tween boy’s coming-of-age.

Pub Date: May 15, 2015

ISBN: 978-0-945980-57-5

Page Count: 134

Publisher: North Country Press

Review Posted Online: Nov. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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