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THERE WAS AN OLD MERMAID WHO SWALLOWED A SHARK!

Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch...

Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.

Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.

Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)

Pub Date: March 27, 2018

ISBN: 978-1-338-12993-9

Page Count: 64

Publisher: Scholastic

Review Posted Online: Nov. 21, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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GHOULIA

From the Ghoulia series , Vol. 1

Younger readers will wish that they could toss their heads…or at least that they knew someone who could.

A lonely zombie makes new friends just by being herself—on Halloween.

Quelled by Auntie Departed’s warnings, young Ghoulia has always confined her outdoor play to the walled grounds of Crumbling Manor…until she eavesdrops on some living children and learns about Halloween. Taking advantage of this perfect opportunity to fit in, she sneaks out with her albino greyhound (and gifted hairdresser), Tragedy, for some trick-or-treating. Hearing her name as “Julia,” the costumed children welcome her. But when they compete to see who’s the scariest, Ghoulia forgets herself and does her “special scary move,” tossing her head in the air and catching it in one hand. The children stand wide-eyed through no fewer than three illustrations on three successive pages—and then welcome her with wild delight and agree to keep her secret from the grown-ups. From then on they become regular visitors to Crumbling Manor. In full-color pictures that take up all or most of every page, Cantini depicts her undead urchin Tim Burton–style, with stitched lips, gray skin, and purple shadows beneath huge eyeballs (everyone else appears white—or sheet white). Assisted by suggestive labels (“Creaky steps”; “A spider visiting from the attic”; “Painting of Grandad Coffin”), the manorial setting has an Addams Family vibe and provides just the right spooky setting for this series opener. Halloween-themed activities are included in the backmatter.

Younger readers will wish that they could toss their heads…or at least that they knew someone who could. (Fantasy. 6-8)

Pub Date: Aug. 7, 2018

ISBN: 978-1-4197-3293-5

Page Count: 48

Publisher: Amulet/Abrams

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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