Intellectually curious preteens model heroism in this engaging fantasy tale.
Procopio’s (Chelzy Stone’s Mystical Quest in the Lost and Found Game, 2013) middle-grade sequel brings the trio of adventurers to a medieval Camelot under threat.
Sixth-grader Tory Herold has an uncle who collects antiques. Uncle Tony’s latest find is a game stored in a beautiful chest. The seller tells him that it “will only open for a young person or someone on a quest for something extraordinary.” Tory and her friends Chelzy and Matthew Stone (who are in the 5th and 7th grades, respectively) wait a few weeks until spring break before opening it, expecting another otherworldly adventure. The chest reveals three smaller boxes, each engraved with a representation of a different element—water, light, and earth—and they soon discover that lifting the respective lids causes those elements to pour forth. The trio consults Grandpa Stone, who has helped them in the past. In medieval Albion, meanwhile, the sorceress Hextilda wreaks havoc in Camelot as revenge for her parents’ murders by the king. The wizard Azahti plans to recover the three pieces of the magical artifact called The Treskelion to defeat Hextilda. He has help from Sophokles, an owl, and Bianor, a dragon, but he also envisions the arrival of three children from “another existence” who will be instrumental to his cause. In this installment, Procopio’s heroes are hardly any older but quite a bit wiser when it comes to dealing with magical objects and situations. Still, the kids finish their homework and chores and get practical advice from Grandpa Stone (“Never start smoking and you’ll avoid health issues later in life”). The suspense of when and how the crew will travel to Camelot is amplified by the presence of Tory’s eccentric Aunt Flossy. Procopio’s prose is a vocabulary builder, as when Chelzy uses the word “concomitant,” to Matthew’s surprise. Later, in the Forest of Desperate Souls, Azahti eloquently tells the children about peace, saying, “Many living people have it right before them but do not recognize it or cherish it.” A crisp finale—and the hint of summer vacation shenanigans—prepares readers for a potential future volume.
Intellectually curious preteens model heroism in this engaging fantasy tale.Pub Date: Nov. 18, 2015
ISBN: 978-0-9860607-1-7
Page Count: 260
Publisher: RoseLamp Publications
Review Posted Online: July 25, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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