The long-anticipated seventh book may reveal what's still missing from this series, because it certainly isn’t detail.
The sixth installment of Riley’s mammoth series about the adopted daughters of an enigmatic shipping magnate.
This volume, weighing in at 500-plus pages, concerns Electra, the youngest of the six D’Aplièse sisters—each named for a star in the Pleiades constellation—who were rescued by seafaring entrepreneur “Pa Salt.” As always, the prefatory cast of characters notes that a seventh sister, Merope, is “missing.” Like her sisters before her, Electra was bequeathed clues by Pa (who died under mysterious circumstances) as to her birth origins. But Electra, a Manhattan supermodel who’s addicted to vodka and cocaine, is blasé about her personal quest. When Stella Jackson, a prominent black attorney, claims to be Electra’s biological grandmother, Riley begins the extended backstory common to all the books, this one about Electra’s ancestor. Stella’s reluctance to spill the beans all at once and Electra’s own prodigious procrastination slow the narrative just enough to maintain suspense. The tale centers on Cecily Huntley-Morgan, a white New York socialite who, on the eve of World War II, finds herself living in Kenya in a marriage of convenience to Bill Forsythe, who spends most of his time away on cattle drives with Maasai tribesmen. This situation stems from Cecily’s broken engagement in New York, which she followed with an unwanted pregnancy courtesy of a rebound rake. Rarely for this series, both storylines hold their own. Electra checks into rehab, vowing to forswear hedonism and use her fame and wealth to help addicted and underprivileged youth. The Kenyan setting, in seeming homage to Out of Africa, is colorfully atmospheric even as Cecily remains stolidly unhedonistic amid the Happy Valley set of hard-partying and dissolute British expats who surround her. The second half of the novel plumbs, with many detours and digressions and much descriptive minutiae, the mystery of how Cecily and Stella are connected and how Electra came to be abandoned.
The long-anticipated seventh book may reveal what's still missing from this series, because it certainly isn’t detail.Pub Date: May 19, 2020
ISBN: 978-1-9821-1064-2
Page Count: 528
Publisher: Atria
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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