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THE NIGHT VISITOR

With shades of Rebecca and The Secret History, Atkins has produced an eerie page-turner that will have readers guessing from...

An academic partnership turns sour in this tense and moody thriller.

Professor Olivia Sweetman has it all: a happy family life with her husband and three children and a career on the rise as both an academic and popular historian frequently appearing on television. When she hears about a Victorian diary—containing a scandalous confession—written by one of the first women doctors, she knows she’s found the topic for her first book. The diary, however, comes with a catch—a relationship with Vivian Tester, the woman who discovered it. Vivian is brilliant but mysterious and has a very different way of seeing the world than Olivia. She's an extremely competent researcher, and she and Olivia enter into a working relationship. As their work progresses, though, their relationship becomes increasingly fraught; both women keep secrets from the other, revealed to the reader in alternating chapters either narrated by Vivian in first person or from Olivia’s point of view in third. Author Atkins (The Other Child, 2016, etc.) peppers every page with hints of things unsaid and dark underlying secrets. Sometimes the foreshadowing is a little overdone and heavy-handed, but it does not take away from the incredible number of twists and turns that appear as the novel stalks toward its ending. There’s a ghost haunting the story, both literally and metaphorically, and that sense of unease keeps pushing all the way to the last, intense pages. A reckoning is coming, but why? The need to know what will happen when the inescapable comes to pass drives the reader ever forward even as a sense of dread pervades the narrative. Things must end, but they won’t end well.

With shades of Rebecca and The Secret History, Atkins has produced an eerie page-turner that will have readers guessing from the first.

Pub Date: July 3, 2018

ISBN: 978-1-78648-218-1

Page Count: 368

Publisher: Mobius

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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