Well-written, but the contrivances and bloodless tone make for less-than-compelling reading.



Novelist Ferris (The Misconceiver, 1997, etc.), now winner of Mid-List’s First Series Award for Short Fiction, offers 12 tales of love, loss, infidelity, and (last but not least) postgrad anomie.

One: An artificial-intelligence expert meets his former lover at a conference and wastes no time bedding her again. She cheats on her husband without a qualm—after all, he's in Japan. Two: Psychotherapist Elissa is used to her irresponsible spouse's frequent absences. He's conveniently out of town when she runs into a former flame, Sandy, whom she remembers as a “tall blond hippie god.” She has a score to settle: Does Sandy remember the long-ago night of the wild pig stampede when everybody got so stoned and he forced her to fellate him? Uh, no, he doesn't. Three: an orthopedist regrets his inability to save a little boy who died while joy-riding on the back of a fire truck. Four: a gay substitute teacher takes more responsibility than he should for a troubled kid from the projects. Five: a middle-aged university English teacher and administrator is torn between her sense of obligation to her grown, gay, HIV-positive son and to her lover, who wants to conceive a last-chance baby with her. Six: a village fireman and jack-of-all-trades finds out that a friend has been accused of molesting and raping more than one of the foster children he and his wife took in over the years. So what? He's acquitted on a technicality. Seven: southern California losers with empty lives and negative attitudes hit the endless freeway and screw around when the mood takes them. Eight: a young woman muses sadly on the sins of men in general and her thoughtless lover in particular before she aborts an unwanted pregnancy with toxic herbs. Nine: a professor of journalism at a small southern college finds comfort in her preschool children, despite her arrogant husband's neglect. And there are three more, in a similarly depressing vein.

Well-written, but the contrivances and bloodless tone make for less-than-compelling reading.

Pub Date: June 15, 2001

ISBN: 0-922811-50-4

Page Count: 176

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2001

Did you like this book?

No Comments Yet


Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet