by Luiz Alfredo Garcia-Roza & translated by Benjamin Moser ‧ RELEASE DATE: July 10, 2002
Garcia-Roza’s Hitchcockian trick of knowing exactly how much to reveal to keep his audience off-balance keeps this...
This 1996 Brazilian bestseller introduces a crime that isn’t a crime and a detective who doesn’t quite seem like a detective either. Inspector Espinosa, of Rio de Janeiro’s First Precinct, likes classic American fiction, collects gift editions, and has a quiet eye for the ladies involved in the death of mineral-exploration executive Dr. Ricardo Carvalho, who left his office at the end of the day and was shot before he could pull out of the parking garage. If it’s hard for Espinosa to wax enthusiastic over any of the murder suspects—renowned designer Bia Vasconcelos, Carvalho’s glamorous widow; her masterful father, still disapproving of his son-in-law; her friend Júlio de Azevedo, architect and professor; Júlio’s lover Alba Antunes, part owner of an Ipanema gym—there’s an excellent reason: Carvalho committed suicide and left behind a letter offering the police $20,000 to pronounce the case unsolved. The shooting looks like murder only because the letter, the gun, and, of course, the $20,000 have disappeared, soon followed by Carvalho’s devoted secretary, Rose Benevides. The case assumes new urgency when Rose’s mother is tortured and strangled (no doubt about whether she’s been murdered), but even then, Espinosa, who doesn’t let grass grow under his feet—he’s soon taken Alba’s well-toned body to bed—is still more in the dark than his readers.
Garcia-Roza’s Hitchcockian trick of knowing exactly how much to reveal to keep his audience off-balance keeps this melancholic debut simmering. First of a most-welcome trilogy.Pub Date: July 10, 2002
ISBN: 0-8050-6889-9
Page Count: 272
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Luiz Alfredo Garcia-Roza & translated by Benjamin Moser
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by Luiz Alfredo Garcia-Roza & translated by Benjamin Moser
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by Luiz Alfredo Garcia-Roza & translated by Benjamin Moser
by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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