Authentically enlightening and entertaining.
Following on Shaka Rising (2018), this volume further explores the legend of King Shaka, founder of the Zulu nation.
Much research has been done by South African Molver to trace the particulars of Shaka’s life from his birth in the 1780s until his death in 1828. Zulu culture was an oral one, passing down history through the telling of stories, which led to multiple versions of the truth even as the “ignorance or bias” of European written records was understood to be historical fact. Recognizing its own narrative as simply one telling of the story, this book focuses on the last decade of his reign, when external and internal threats challenged his prominence. There’s the arrival of conspiring European settlers and even a bit of nefarious plotting among the siblings who envy Shaka’s throne. Woven throughout are key terms from isiZulu, along with symbolism inherent to Zulu supernatural beliefs, giving readers a deeply contextual immersion in the cultural foundations of the Zulu people who today represent almost a quarter of South Africa’s population. The illustrations show stern and stalwart faces and display the brutal, inflamed action of war. The overwhelming global success of Marvel’s Black Panther is echoed in the final image, which, in opposition to the story’s historical specificity, feels generic and tame.
Authentically enlightening and entertaining. (historical notes, timeline, cultural and linguistic notes, discussion questions, glossary, pronunciation guide) (Graphic historical fiction. 12-18)Pub Date: Oct. 1, 2019
ISBN: 978-1-946498-93-9
Page Count: 96
Publisher: Story Press Africa
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
A solid introduction for budding lovers of the Bard.
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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