A sharp, satisfying exploration of some of today’s most controversial topics.
Belle’s debut novel is a quirky alternate history from the perspective of a precocious, politically astute—and pregnant—teenager.
At age 14, Sheila Martin becomes pregnant after she is drugged with Rohypnol and raped at a party. Her conservative, Catholic mother forbids her from getting an abortion. But that’s not the entire story. Her mother’s case is helped by the fact that John McCain won the 2008 election and promptly died in office, leaving his running mate Sarah Palin to become the first woman president of the United States. And although history has been tweaked, Palin’s politics remain as conservative as ever and she helps form a pro-life Supreme Court. Roe v. Wade is overturned, causing anti-abortion trigger laws in several states, including Sheila’s, to go into effect. She endures her pregnancy in one of very few alternatives open to her—the House of Mercy, her state’s government-funded residence for girls in Sheila’s situation. There she meets girls even worse off than she, including an 11-year-old impregnated by her own brother. Sheila liberates the preteen and illegally escorts her across state lines to get an abortion, all with the help of Sheila’s narcoleptic boyfriend and feminist grandmother. On occasion Sheila’s precocity leans toward disingenuousness, but these instances are offset by bright, realistic dialogue and writing that is thoughtfully broad in scope. And although Sheila can seem extraordinarily composed, especially for a girl in the throes of adolescent and pregnancy hormones, throughout she remains an appealing heroine. Belle’s historical and political alterations are recent enough to engage even politically indifferent readers, and her divisive topics (free will, reproductive rights, parental control, how political policy affects even the youngest individuals) are addressed with a diversity of viewpoints and should spark intelligent debate.
A sharp, satisfying exploration of some of today’s most controversial topics.Pub Date: Dec. 20, 2011
ISBN: 9780615572543
Page Count: -
Publisher: Creative License
Review Posted Online: Dec. 29, 2011
Review Program: Kirkus Indie
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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