Whether fiction or non, Davis never bores.

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CAN'T AND WON'T

STORIES

Five years after a mammoth, comprehensive collection of stories secured her literary legacy, this unique author explores new directions and blurs boundaries in writing that is always fresh and often funny.

For one of the country’s most critically acclaimed writers (The Collected Stories of Lydia Davis, 2009), a new collection is like a box of chocolates, one in which—as she writes in “A Small Story About a Small Box of Chocolates”—a single piece can be “very good, rich and bitter, sweet and strange at the same time” and can feed “a vague, indefinite hunger, not necessarily for food.” As previously, her shortest stories—a single sentence or paragraph, well less than a page—could often pass as the prose equivalent of a haiku or Zen koan, and elements such as character development, or even characters, are often conspicuous in their absence. The narrative voice has a consistency of tone throughout much of the collection: conversational, intelligent, by no means opaque or impenetrable like much postmodern fiction. It flows easily from dreams to conscious reflection, often about words themselves or “Writing” (the title of one very short story) or reading, ruminations that may or may not be the author’s own. As the relationship between writer and reader becomes more familiar, one gets a sense of a narrative character and of what's important to that character (grammar, concision, precision) and how she spends her time (in academe, on various modes of transportation, among animals in the country). Some stories are based on the letters of Flaubert (whom Davis has translated, along with Proust and others), while others are unsigned (and unsent?) letters to various companies and boards, comments and complaints that often themselves turn into stories. In “Not Interested,” the narrator explains, “I’m not interested in reading this book. I was not interested in reading the last one I tried, either....The books I’m talking about are supposed to be reasonably good, but they simply don’t interest me....These days, I prefer books that contain something real, or something the author at least believed to be real. I don’t want to be bored by someone else’s imagination.”

Whether fiction or non, Davis never bores.

Pub Date: April 8, 2014

ISBN: 978-0-374-11858-7

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 13, 2014

Kirkus Reviews Issue: March 1, 2014

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With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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LITTLE FIRES EVERYWHERE

This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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OF MICE AND MEN

Steinbeck refuses to allow himself to be pigeonholed. This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel". It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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