THE MONSTROUS KIND

Something’s rotten in the province of Sussex.

Twelve families rule over the Smoke, a U.K.-inspired nation, where the citizens battle to maintain control against an encroaching fog that brings death and destruction in the form of monstrous Phantoms. When Silas Darling, Merrick’s father and Sussex’s Manor Lord, dies unexpectedly, Merrick must abandon her New London social season and return to her ancestral home, Norland House. Surrounded by her older sister, Essie (who’s set to inherit the title Merrick desires for herself), and cousins (who are concerned mostly with propriety), she struggles to find answers. When Sussex and the family’s seat are threatened by mysterious border breaches and attacks, Merrick enters into a tenuous alliance with sentry Killian Brandon to unravel a Gordian knot of family secrets. The measured pacing, combined with Merrick’s emotional arc, together create magnificent tension. The worldbuilding skews gothic, thanks to the creepy manor house and mist-infected landscapes that are befitting of a Brontë sisters novel—albeit with the addition of possessed corpses that consume human flesh. The gender politics of this world allow women to inherit titles and fight Phantoms, yet they have little agency to act on their own behalf without entering into advantageous, heteronormative marriages, an aspect of the fantasy world that readers may find confusing. Primary characters read white.

A page-turner of a fantasy-horror debut from a promising new voice.