Memorably unusual but haphazard; the series peaked with its opener, The Fires Beneath the Sea (2011).
Children, adults, and myriad creatures fight the final battle in a war over climate change.
The Cold One, an obscure being living under the ocean, has spent centuries both piggybacking on and masterminding global warming so he can colonize the Earth’s surface (The Shimmers in the Night, 2012). Fighting against him are fantastical creatures ancient and modern, a handful of white kids from Cape Cod, and a mother who’s a shape shifter (otter, bear, marine biologist) and “part of an ancient culture with its own secret knowledge.” This ancient knowledge is vast: genius youngest sibling Jax—a Charles Wallace Murry type—can control others, read minds, and enter the internet with his mind; sister Cara sees places from afar. None of this “old way technology” is explained, just used; genrewise, the book completely fuses science fiction with fantasy. Action moves between a Boston technological institute/refuge and the open Atlantic for battles. The Cold One takes control of a U.S. Navy submarine to discharge a nuclear missile, which brings narrative urgency and desperation; however, the question of climate change aside from what might be wrought by that imminent nuclear explosion fades, oddly, weakening the eco-fantasy thrust. Pacing is dense, rushed back stories feel inorganic, and characterizations are loose—but relationships are tender.
Memorably unusual but haphazard; the series peaked with its opener, The Fires Beneath the Sea (2011). (Fantasy. 9-13)Pub Date: Jan. 10, 2017
ISBN: 978-1-61873-128-9
Page Count: 288
Publisher: Big Mouth House
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
BOOK REVIEW
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A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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BOOK REVIEW
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