Stun friends and family members by guessing secret numbers and doing painless long division. Dice and card tricks and finger multiplication are among the fascinating tricks potential mathemagicians will learn to perform. But Colgan goes beyond the ordinary by giving an in-depth, easily understandable explanation of the math behind each trick, as well as any history that might be applicable, too. Not only will readers learn how to multiply large numbers in their heads, they will learn why this trick works and that the early Egyptians used the very same method. Prime numbers, Napier’s bones, division dowels, the binary number system and factoring are just a few areas they will explore. Kids won’t stop with just learning the tricks—the emphasis is on performing them, and the author does a great job of giving tips for a magical performance that is not only believable but entertaining as well. Backmatter includes a glossary, but the language used in the definitions is more advanced than that used in the text, and the terms used within the entries are not always themselves defined. Kurisu’s illustrations emphasize the performance side of mathemagic, showing potential performers how to successfully set up or follow through with specific tricks. Colgan makes math cool, and that speaks for itself. (Nonfiction. 10-14)
Pub Date: March 1, 2011
ISBN: 978-1-55453-425-8
Page Count: 40
Publisher: Kids Can
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Feb. 15, 2011
A browser’s delight, packaged to fit small coffee tables.
A tantalizing sampler of American roadside attractions, ghosts and spooky local legends for audiences not yet familiar with the TV show of the same name and its attendant series of state-by-state print guides.
Shoveled haphazardly into thematic chapters, the several hundred stopovers range from old reliables like Roswell, Bigfoot, jackalopes and the Watts Towers to various art car shows, festivals like the annual Roadkill Cook-off in West Virginia and such undeservedly obscure locales as New Jersey’s Shades of Death Road and Maine’s International Cryptozoology Museum. The authors supply a paragraph or two of credulous commentary on each that includes specific places and people along with back story and, for the more elusive or supernatural oddities, locally gathered rumors and anecdotes. Small but sharp photos—or melodramatic Photoshopped images for the various specters—on every page add both atmosphere and additional credibility for readers who may have trouble believing in, for instance, the many giant fiberglass “Muffler Men” dotting the Midwest or all the buildings shaped like teapots, picnic baskets and various foodstuffs. Readers allergic to exclamation points may want to skip this one.
A browser’s delight, packaged to fit small coffee tables. (Infotainment. 10-13)Pub Date: Aug. 1, 2011
ISBN: 978-1-4027-5462-3
Page Count: 128
Publisher: Sterling
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
BOOK REVIEW
This appealing work stands as both a portrait of two unconventional women and a celebration of the possibilities of arts...
An affectionate, lively examination of the reciprocal relationship between a great artist and two great art lovers.
Etta and Claribel Cone, unmarried sisters from a wealthy Baltimore family, "were born around the time of the Civil War" and became energetic, discerning collectors of modern art, particularly that of Henri Matisse. Claribel Cone was a doctor; Etta Cone managed her parents' household. Both traveled extensively in Europe and, around the turn of the 20th century, fell in with Leo and Gertrude Stein. Informed by Leo's adventuresome sense of aesthetics as well as their own daring tastes, they embraced the works of the young Matisse in 1905 and enthusiastically befriended him. Fillion sketches her characters neatly and swiftly, following the women over the next decades as they amassed what became one of the most significant American collections of modern European art. Though this is not a beginner’s text, she folds in economical explanations of early-20th-century European art, cogently contextualizing Matisse and his contemporaries. Their account is lavishly illustrated in full color by reproductions from the Cone Collection at the Baltimore Museum of Art and Matisse-inflected paintings by the author, who drew extensively on the Cone archive that is also housed at the museum.
This appealing work stands as both a portrait of two unconventional women and a celebration of the possibilities of arts patronage. (author/illustrator's note, bibliography, sources) (Biography. 10-14)Pub Date: July 25, 2011
ISBN: 978-1-56792-434-3
Page Count: 92
Publisher: Godine
Review Posted Online: June 20, 2011
Kirkus Reviews Issue: June 15, 2011
BOOK REVIEW
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