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MY LAST SKIRT

THE STORY OF JENNIE HODGERS, UNION SOLDIER

Jennie Hodgers lived in a world without passports, naturalization papers, social security numbers and driver’s licenses—none of the proofs of identification we take for granted today. She passed as a boy in Ireland to shepherd the bishop’s flock, and became Georgie Hodgers in Queens, N.Y. because boys’ jobs paid better. She was a farmhand in Illinois and joined the 95th Illinois Infantry as Albert Cashier. All of her life she felt “free and trapped, male and female, and all at the same time,” and self-questioning about her identity is the heart of this fine tale based on a true story. What exactly makes a person who she is? Is she simply who we say she is? Are you yourself, even when living a lie? Durrant succeeds brilliantly in showing what it would have been like to be Jennie Hodgers, making her circumscribed existence feel as claustrophobic and lonely as it must have been. Useful in collections on the Civil War, immigration, women’s rights and Charles Darwin. (afterword, bibliography) (Fiction. 11-15)

Pub Date: Feb. 13, 2006

ISBN: 0-618-57490-5

Page Count: 208

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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WAR STORIES

This weave of perceptive, well-told tales wears its agenda with unusual grace.

Two young people of different generations get profound lessons in the tragic, enduring legacy of war.

Raised on the thrilling yarns of his great-grandpa Jacob and obsessed with both World War II and first-person–shooter video games, Trevor is eager to join the 93-year-old vet when he is invited to revisit the French town his unit had helped to liberate. In alternating chapters, the overseas trip retraces the parallel journeys of two young people—Trevor, 12, and Jacob, in 1944, just five years older—with similarly idealized visions of what war is like as they travel both then and now from Fort Benning to Omaha Beach and then through Normandy. Jacob’s wartime experiences are an absorbing whirl of hard fighting, sudden death, and courageous acts spurred by necessity…but the modern trip turns suspenseful too, as mysterious stalkers leave unsettling tokens and a series of hostile online posts that hint that Jacob doesn’t have just German blood on his hands. Korman acknowledges the widely held view of World War II as a just war but makes his own sympathies plain by repeatedly pointing to the unavoidable price of conflict: “Wars may have winning sides, but everybody loses.” Readers anticipating a heavy-handed moral will appreciate that Trevor arrives at a refreshingly realistic appreciation of video games’ pleasures and limitations. As his dad puts it: “War makes a better video game….But if you’re looking for a way to live, I’ll take peace every time.”

This weave of perceptive, well-told tales wears its agenda with unusual grace. (Fiction/historical fiction. 11-13)

Pub Date: July 21, 2020

ISBN: 978-1-338-29020-2

Page Count: 240

Publisher: Scholastic

Review Posted Online: April 7, 2020

Kirkus Reviews Issue: May 1, 2020

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THE BOY AT THE TOP OF THE MOUNTAIN

Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively...

A young boy grows up in Adolf Hitler’s mountain home in Austria.

Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot’s best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war’s end he maintains that he was only a child and didn’t really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot’s inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn’t and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.

Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)

Pub Date: June 7, 2016

ISBN: 978-1-62779-030-7

Page Count: 272

Publisher: Henry Holt

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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