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LITTLE SCRAGGLY HAIR

A DOG ON NOAH’S ARK

Retelling the tale “Why Dogs Have Wet Noses” from the dog’s perspective, Cullen sets the story in America and uses Appalachian dialect recorded by Richard Chase. The result is a folksy, charming, appealing variation. “Folks didn’t take much to dogs in them days, thought dogs were no count, just toters of fleas.” When Little Scraggly Hair limps into Noah’s barnyard where he’s sawin’ and hammerin’ away, the two take to each other immediately. Scraggly totes his bag of nails and herds the critters onto the ark. Come the rains, he bounds up the ramp, but there’s no room. He’s “stuck ’tween a pair of cranky bears and two snortin’ buffaloes. Fits so tight, he has to stick his nose through a knothole,” where, many days later, a dove with a branch lands. Colorful watercolor illustrations harmonize with the folksy tone and effective points of view buoy up the subtleties. An author’s note upfront details her story’s origin. Another refreshing take on the biblical story, less religious, more human nature. (Picture book. 4-8)

Pub Date: Oct. 15, 2003

ISBN: 0-8234-1772-7

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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