This is a comprehensive, fact-filled, and stunningly illustrated history of the Statue of Liberty. It begins with an explanation of why the French came up with the idea in the first place, and how the brilliant young sculptor Frederic-Auguste Bartholdi became interested in the project that was to be his obsession for the next 15 years. Bartholdi decided where the statue must stand as soon as he laid eyes on what is now Liberty Island. “Here . . . my statue must rise; here where people get their first view of the New World.” A brief description of neoclassicism is followed by the history of the statue’s construction and the engineering feats it required. The statue was constructed in separate stages and, after the head was built, it was exhibited in the Paris Universal Exposition of 1878. The head was pulled through the streets of Paris in a cart pulled by 13 horses (the double-page spread of Liberty’s head crossing a bridge in Paris is alone worth the price of the book). There are hardly any women mentioned or pictured in the book, and Curlee addresses this by pointing out the irony that the statue exemplifying the spirit of liberty was erected at a time when women didn’t even have the right to vote. Acrylic paintings reproduced in full color from photographic transparencies are the artistic medium, and the appealing, interesting palette of blues, blacks, and bronzes captures the ambition and majesty of the project. While the text is occasionally pompous, and perhaps not as much fun as the Betsy and Guilio Maestro book on the same subject, Liberty is an engaging and useful resource for the classroom and library. (specifications, timeline, bibliography) (Picture book/nonfiction. 8-12)
Pub Date: May 1, 2000
ISBN: 0-689-82823-3
Page Count: 42
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2000
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)
In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.
Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)Pub Date: Sept. 1, 2013
ISBN: 978-1-59078-985-8
Page Count: 96
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Nellie Bly’s contemporary namesake does her proud.
Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.
Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.
Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)Pub Date: March 10, 2020
ISBN: 978-0-7624-9685-3
Page Count: 208
Publisher: Running Press
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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