A glossy introduction to the highs and lows of Nijinsky’s life and work.
The story of Vaslav Nijinsky’s life—onstage and off, in all its glamour and tragedy—unfolds.
Originally drawn to Nijinsky by photos of the ballet dancer in costume, Curlee (Trains, 2009, etc.) engaged in extensive research and details major events in Nijinsky’s life, beginning with his birth to traveling Polish performers and continuing through to his eventual confinement in various asylums and death in 1950. While much of the content focuses on Nijinsky’s art, both his dancing and choreography, time is also spent on his personal life. The text includes short biographical sketches of important artists, such as Diaghilev and Stravinsky, with whom Nijinsky crossed paths as well as explorations of Nijinsky’s romantic relationships and mental health. These discussions are frank, and though they never devolve into titillation, they do occasionally include questionable descriptions (“He was…what some would term stark raving mad”) and label Nijinsky’s sexual orientation using modern terms. Interspersed between chapters are stylized programs detailing various ballets that Nijinsky performed or choreographed, including descriptions of the ballet’s history and plot and paintings by the author. Quotations from contemporaries and occasionally the dancer himself breathe further life into the narrative. The photographs and illustrations add interest and points of engagement in what is an otherwise tragic tale of a brooding artist.
A glossy introduction to the highs and lows of Nijinsky’s life and work. (author’s note, list of performances, source notes, bibliography, image credits, index) (Biography. 13-18)Pub Date: April 9, 2019
ISBN: 978-1-58089-800-3
Page Count: 120
Publisher: Charlesbridge Teen
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
This is clearly not unbiased reporting, but it makes a strong case that justice in our legal system does not always fit the...
Porinchak recounts how the legal system fails five teens who commit a serious crime.
The May 22, 1995, brawl in a white suburb of Los Angeles that resulted in the death of one teen and the injury of another is related matter-of-factly. The account of the police investigation, the judicial process, and the ultimate incarceration of the five boys is more passionately argued. Since the story focuses on the teens’ experiences following the brawl, minimal attention is given to Jimmy Farris, who died, although the testimony of Mike McLoren, who survived, is crucial. The book opens with a comprehensive dramatis personae that will help orient readers, and the text is liberally punctuated by quotes drawn from contemporary newspaper and magazine coverage as well as interviews with several of the key figures, including three of the accused. Porinchak argues that the proceedings were influenced by the high-profile 1994 trial and acquittal of the Menendez brothers, and unfounded accusations of gang involvement further clouded the matter. Despite the journalistic style, there is clear intent to elicit sympathy for the five boys involved, three of whom were sentenced to life without parole; of two, the text remarks that “they were numbers now, not humans.”
This is clearly not unbiased reporting, but it makes a strong case that justice in our legal system does not always fit the crime. (Nonfiction. 14-18)Pub Date: May 2, 2017
ISBN: 978-1-4814-8132-8
Page Count: 256
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Necessary for every home, school, and public library.
“This is the story of a girl who lost her voice and wrote herself a new one.”
The award-winning author, who is also a rape survivor, opens up in this powerful free-verse memoir, holding nothing back. Part 1 begins with her father’s lifelong struggle as a World War II veteran, her childhood and rape at 13 by a boy she liked, the resulting downward spiral, her recovery during a year as an exchange student in Denmark, and the dream that gave her Melinda, Speak’s (1999) protagonist. Part 2 takes readers through her journey as a published author and National Book Award finalist. She recalls some of the many stories she’s heard during school visits from boys and girls who survived rape and sexual abuse and calls out censorship that has prevented some speaking engagements. In Part 3, she wraps up with poems about her family roots. The verse flows like powerful music, and Anderson's narrative voice is steady and direct: “We should teach our girls / that snapping is OK, / instead of waiting / for someone else to break them.” The poems range in length from a pair of two-line stanzas to several pages. Readers new to Anderson will find this accessible. It’s a strong example of how lived experience shapes art and an important book for the #MeToo movement.
Necessary for every home, school, and public library. (resources) (Verse memoir. 13-adult)Pub Date: March 12, 2019
ISBN: 978-0-670-01210-7
Page Count: 304
Publisher: Viking
Review Posted Online: Dec. 18, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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