A young girl named Chloe is reluctant to enjoy Christmas because of her beloved grandmother’s recent death in this bittersweet, well-told story. As part of their family holiday celebrations, Chloe’s grandmother created handmade Christmas ornaments that she called “thingamajigs,” and she and Chloe would decorate the tree and then dance around it together. Chloe is understandably sad and tries not to participate in the Christmas preparations, but her understanding grandfather patiently and wisely talks to her over several days, helping her to remember and honor her grandmother and their special traditions. In a sweet conclusion, Chloe and her grandpa dance a “thingama-jig” around the tree together. While making effective use of the powerful emotional setting of a family Christmas celebration, Manuel’s (Lucy Maud and the Cavendish Cat, not reviewed, etc.) gracefully told story transcends the holiday genre, as this could be a valuable work at any season for anyone (including adults) who has lost a parent or grandparent. Benioff, in her first work for children, does a fine job of bringing the characters to life, especially Chloe. Her jewel-toned paintings of the present contrast with sepia-toned illustrations that recall fond memories of earlier days with Grandma. The spreads that include both timeframes connect gracefully through various shared connecting devices: open doors, an old tree with spreading branches, or an open window, linking the past to the present. (Picture book. 5-10)
Pub Date: Sept. 1, 2002
ISBN: 0-525-46120-5
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
BOOK REVIEW
BOOK REVIEW
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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