by Lynn Plourde & illustrated by Greg Couch ‧ RELEASE DATE: March 1, 2002
The spring season gets a treatment of its own, following autumn (Wild Child, 1999) and winter (Winter Waits, 2001) from the same author/illustrator team. As before, the verse and illustrations personify the seasonal players. In this case, Mother Earth wakes her daughters, the spring sisters of March, April, and May, saying, “You must wake the world / to start a new day.” At the end, they must wake one more: summer. But before they awaken anyone, the three girls bicker and vie for first place in Mother Earth’s affections. After she affirms “I love you ALL the best,” the daughters are ready to wake the earth and “Spring’s Sprung! / A new day’s begun.” The insouciant mixing of months, seasons, and days may not bother preschoolers, but adults may notice. Nonetheless, the tone is lighthearted and fresh, appropriate to its season. Illustrations, as in the previous books, are liquid acrylic and colored pencil on museum board. Mother Earth’s form emerges from the earth’s topography while the daughters are portrayed as free-standing girls with many visual allusions to their physical ties to the earth, such as hair that flows into a river or curls into mounds of bushes. The colors are pastel, and there is much that is a fresh, new green. Touches of flowers and familiar mother-and-baby animals (such as bunnies and ducks) dot the backgrounds. There is a distinct New Age flavor to both story and illustrations. The large, vertical format is equally suitable for storytime or individual readings. (Picture book. 4-8)
Pub Date: March 1, 2002
ISBN: 0-689-84229-5
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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