Next book

THE MEMORY CODE

THE SECRETS OF STONEHENGE, EASTER ISLAND AND OTHER ANCIENT MONUMENTS

A plausible and provocative hypothesis on how methods of memorization may have laid the groundwork for many mysterious...

A thought-provoking theory on “memory palaces” and their significance to ancient ancestral civilizations.

Science writer Kelly’s (Knowledge and Power in Prehistoric Societies, 2015) thorough, fascinating examination of indigenous cultures of Australia and New Zealand led her to a new anthropological philosophy on how Stonehenge and other prehistoric monuments were built and their shared purpose. Throughout her doctorate studies, the author invested increasing amounts of time studying the knowledge patterns of primitive, nonliterate societies and the ways in which orality made shared knowledge memorable and applicable. Though widely considered to be intellectually inferior, indigenous cultures like the aborigines of Australia, among many others, developed complex exchanges of encyclopedic knowledge through methods of memory and repetition, perfected over centuries of practice and adaptation. Kelly believes these place-associative memorization systems, whether patterned through songs, dance, mythological stories, stars, landscape, or handheld totems, were instrumental in generating the knowledge necessary to construct what have become some of the world’s most mystifying architectural wonders. Deepening her research, the author applied these mnemonic techniques to her own life, experimenting with local landscapes and honing personal memory skills with representational imagery; she used activities as simple as a walk with her dog to illustrate and apply this ancient technique. Most interestingly, Kelly then applies this theory to the ancient monuments that have confounded and fascinated mankind for centuries. These include Stonehenge, which the author brilliantly and painstakingly analyzes in time period stages, the extraordinary monolithic moai of Easter Island, the expansive geoglyphs in the southern Peruvian desert, and the stone rows and circles of Neolithic France and Britain. Kelly believes all of these were constructed as memory aids to ancient elders, and she generously addresses each location with cleareyed, occasionally dense, yet absorbing prose while drawing important attention to a radical new idea about the real purpose of these historic marvels.

A plausible and provocative hypothesis on how methods of memorization may have laid the groundwork for many mysterious extant monuments.

Pub Date: Feb. 7, 2017

ISBN: 978-1-68177-325-4

Page Count: 336

Publisher: Pegasus

Review Posted Online: Dec. 17, 2016

Kirkus Reviews Issue: Jan. 1, 2017

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview