The narrative’s sheer bulk will likely intimidate some readers, and that would be a shame, because Sagalyn has produced a...
A superbly qualified scholar thoroughly deconstructs the tortured story behind the rebuilding of the World Trade Center complex.
Fundamentally, the resurrection of the site in Lower Manhattan destroyed by the 9/11 attacks was a public/private real estate development project, albeit a vast, complicated, and hugely expensive one. Of course, the traumatic event that necessitated the rebuilding supercharged the atmosphere surrounding all the decision-makers: a private, lease-holding developer, New York’s governor, the city’s mayor, and the Port Authority, the bistate agency that owned the property. These players and a host of lesser but still formidable participants—world-class architects, security experts, the victims’ families—all jostled for power, engaged in a protracted, elaborate game of “pick-up-sticks” where no decision could be made without affecting something else on the site. An aggressive, opinion-shaping press looked on. As she maneuvers through the 15-year rebuilding effort, Sagalyn (Real Estate/Columbia Univ. Business School; Times Square Roulette: Remaking the City Icon, 2001, etc.) keeps the many strands of this story expertly in hand: the legal, economic, and commercial realities; the shifting alliances and balance of power; the political and public relations dynamics regarding property and contract rights; the interdependencies among the parties; the clashing egos and ambitions of the scores of principal actors. Objectively and assuredly, Sagalyn chronicles hundreds of episodes within this immense story of the messy, sometimes seemingly leaderless rebuilding effort. From the dry and legalistic but vital issue of whether the leaseholder could make good on his “two-occurrence” insurance claim to the political controversy over establishing a cultural presence at the site to the mundane but essential matters of infrastructure and transportation to the emotionally charged question of how to display the victims’ names on the panels surrounding memorial waterfalls on the tower “footprints,” the author neatly handles every challenge posed by this multidimensional saga.
The narrative’s sheer bulk will likely intimidate some readers, and that would be a shame, because Sagalyn has produced a definitive history and an urban studies classic.Pub Date: Sept. 9, 2016
ISBN: 978-0-19-060702-5
Page Count: 992
Publisher: Oxford Univ.
Review Posted Online: June 7, 2016
Kirkus Reviews Issue: July 1, 2016
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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