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WATCHING PORN

AND OTHER CONFESSIONS FROM AN ADULT ENTERTAINMENT JOURNALIST

An intelligent, provocative, and indulgent insider’s view of the contemporary porn industry.

An accidental porn journalist reflects on her role mining the sex and politics of the adult film industry.

In her post-collegiate years, G. found herself writing about porn by necessity: she desperately needed a job to stabilize her life in Manhattan. The self-described “country girl with a flair for the dramatic” was raised conservatively on a farm where educative books about sex were hidden away. A traumatic sexual assault compounded the author’s repression and tainted her view of bodily pleasure. When confronted with work on an adult magazine, G. briskly became accustomed to life as a paid porn journalist. What had formerly been her “greatest source of shame and satisfaction” had now become her livelihood. Co-founding Whack! magazine and a column as a “pervy outlier” at McSweeney’s in 2009 solidified her resolve to pursue writing as a career. Though definitely not for the sex-shy, the narrative has a breezy, conversational flow even when the author graphically discusses shock-value gonzo porn or the history of dildos. G. remains consistently affable, never flinty, despite moments of work-related exasperation such as her marked revulsion toward an overly forward Ron Jeremy at an industry expo. In addition to the more erotic personal experiences she shares while a media fixture on the adult industry circuit, G. also amassed a wealth of knowledge about how individualistically it functions, the misconceptions of those involved, and issues of racism, homophobia, and condom use. She also provides thought-provoking chapters on feminist porn and obscenity laws. As a writer with definitive feminist leanings, working in porn left G. internally conflicted as she asked herself, “could I really be a feminist and not only watch this type of sexual behavior—but profit on it?” Her answer, and the ways she reconciles this and other adverse aspects of her life, plays out through the remainder of a cleverly seductive, straightforward, unapologetically carnal chronicle of an unconventional working life.

An intelligent, provocative, and indulgent insider’s view of the contemporary porn industry.

Pub Date: June 6, 2017

ISBN: 978-1-4683-1203-4

Page Count: 320

Publisher: Overlook

Review Posted Online: April 3, 2017

Kirkus Reviews Issue: April 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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