Next book

LIAM MCPHEE AND THE THIEF OF LAUGHTER

A magic tale that offers fun for young readers, but skews toward adults in scope.

In this middle-grade fantasy debut, a group of children hopes to thwart the malicious schemes of Scotland’s Dark Faeries.

In Scotland, on the unremarkable Scruncheon Road, lives an 11-year-old named Liam McPhee. It’s early in the reign of Queen Victoria, and Liam’s mother, Fiona, works at a corner bakery, just below a bookstore. The boy’s life is idyllic, as he and his friends—Sally Sutherland (who’s almost 10) and Izzy Flett and Mhairi MacDougal (both 8)—spend their days collecting shells at the seashore and listening to fabulous tales of the fae world. One day, the children find a tunnel entrance among the shoreline rocks. Deep within the tunnel, they come upon an iron foundry. An ironmonger named Hammity Drudge is building a ship for pirate Rico Sauleri. Though the black-hearted men hear the children spying, Liam and company escape. Later, they travel with the enchanted Ragpicker to the realm of Tir Na n’Og to meet the Faery Queen Luminata. Rico and Drudge, meanwhile, sail the newly finished Maisterful into the Black Causeway, where the Dark Faeries rule. They make a deal with Glaistig, the Dark Faery Queen, to steal and hold for ransom all of Scotland’s laughter. Little do the villains realize that a brave band of imaginative children stands ready to halt them. In this boisterous story, Evangeline casts a wide array of mythological creatures—including Waterbulls and Banshees—in an adventurous pageant through Victorian Scotland. Early on, animated prose conveys the joyful nation that would vanish if laughter were stolen (“The cluster of celestial children seemed more of the air than the earth, delicate, as if splendid light t’were let loose”). The plot, which comes to revolve around the magical Dunvegan Cup, remains as straightforward and colorful as a soccer match—at least until the game is essentially won, and Glaistig unleashes further forces of evil. Adults who devour lengthy series like Percy Jackson should encounter much to like here. But Evangeline’s core audience may find a novel that buzzes with so many characters and creatures and so much action a bit challenging.

A magic tale that offers fun for young readers, but skews toward adults in scope.

Pub Date: Dec. 1, 2017

ISBN: N/A

Page Count: -

Publisher: Celtic Light Productions

Review Posted Online: Aug. 7, 2017

Next book

FAMILIES BELONG

A joyful celebration.

Families in a variety of configurations play, dance, and celebrate together.

The rhymed verse, based on a song from the Noodle Loaf children’s podcast, declares that “Families belong / Together like a puzzle / Different-sized people / One big snuggle.” The accompanying image shows an interracial couple of caregivers (one with brown skin and one pale) cuddling with a pajama-clad toddler with light brown skin and surrounded by two cats and a dog. Subsequent pages show a wide array of families with members of many different racial presentations engaging in bike and bus rides, indoor dance parties, and more. In some, readers see only one caregiver: a father or a grandparent, perhaps. One same-sex couple with two children in tow are expecting another child. Smart’s illustrations are playful and expressive, curating the most joyful moments of family life. The verse, punctuated by the word together, frequently set in oversized font, is gently inclusive at its best but may trip up readers with its irregular rhythms. The song that inspired the book can be found on the Noodle Loaf website.

A joyful celebration. (Board book. 1-3)

Pub Date: Sept. 1, 2020

ISBN: 978-0-593-22276-8

Page Count: 24

Publisher: Rise x Penguin Workshop

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

Next book

OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

Close Quickview