A sweeping, satisfyingly scandalous portrait of womanhood in Queen Anne’s Britain.

HONOR'S PASSAGE

THE LEGACY SERIES BOOK 1

Part historical fiction, part thriller, Paul’s debut sheds light on injustices toward women in 18th-century Britain.

This novel centers around three young women and the scandals of their lives and how each in turn was affected or manipulated by the villainous Charles Brentwood. Honor Rashleigh witnesses a gruesome murder; Mendolyn Turnbull puts her trust in the wrong place after her elderly husband’s death; Kinna Tremayne finds herself betraying family; and Eloise Brentwood learns she has married the wrong man. Will Brentwood stop at nothing to slake his desires? Unlike in a traditional thriller, the identity of the primary villain is revealed in the first few pages, and most of the novel’s suspense comes from the reader’s agitation, knowing that the villain continues to fool those around him. And though Brentwood hold’s primary villain status, several other male characters commit wrongdoings against the women, so rather than focusing on discovering the identity of the murderer, the novel turns to illuminating the mistreatment of women during the era. Paul’s ability to provide commentary on the conventions of the time without losing sight of her entertaining soap-opera plot is impressive. The novel shines thanks to intriguing tidbits of historical research, particularly the painstaking descriptions of courtly attire. The characters, however, are sometimes imbued with slightly too modern sensibilities; at one point, the queen and Honor’s father gab over glasses of wine, as if they are old friends meeting in a college bar. Dialogue stumbles from time to time, and the novel’s prologue, in which three different characters alternate narration, is rather confusing. From Part I forward, the story is told in third person, which might lead readers to question the need for first person early on. These missteps are slight, however, and don’t terribly distract from the novel as a whole.

A sweeping, satisfyingly scandalous portrait of womanhood in Queen Anne’s Britain.

Pub Date: Dec. 3, 2014

ISBN: N/A

Page Count: 464

Publisher: CreateSpace

Review Posted Online: Nov. 19, 2014

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

Did you like this book?

more