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FINCHES

A surprising and insightful horror tale.

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A woman attempts to reclaim a haunted Malaysian house in this debut novella.

Grandmother Jah has returned to her former residence in a small village at the edge of Kuala Lumpur. It is the house she shared with her husband, Ghani, before she left him for taking a second, younger wife. She has returned only now that Ghani and the second wife are dead and the building stands empty. Jah is sure she can feel their continued presence—footsteps, breathing, even the sensation of being grabbed—but she merely curses them and demands that they leave the house to her. With the help of her granddaughter Khatijah and the girl’s boyfriend, Loong, Jah brings in a Buddhist nun and a Malay shaman to purify the house, but the spirits persist. Jah’s family wants her to forget the house and move on, but she insists on salvaging what she believes to be hers. As the story is told and retold from the perspectives of several characters—including Khatijah; her mother, Fatimah; her uncle Rahim; and Ghani himself—the haunting slowly comes into focus, along with the causes of Jah’s obstinacy. Can a broken home ever be cleared of its ghosts, or will the events of the past continue to haunt a place long after the participants have gone? Muffaz writes claustrophobic prose that draws attention to the story’s creepy details, as here where Rahim observes the trees outside the house that Jah has ordered him to chop down: “Rahim looked up at his father’s mango trees, each approaching twenty years old. The tallest trees soared above the house, with the smallest among them double his height and triple his girth. Fire ants blanketed the overripe fruit, so the mangoes appeared to bleed without spilling a drop.” The shifts in time and perspective add to the story’s unease, which is less interested in spooking readers than analyzing the deeper fault lines of the family’s drama. The author explains in her (mostly unnecessary) introduction that her goal was to explore the grief caused by Malaysia’s tolerance of polygamy, and the result is a captivating tale that should please fans of American gothic while introducing rich new elements.

A surprising and insightful horror tale.

Pub Date: Oct. 1, 2021

ISBN: 978-1-952283-16-1

Page Count: 120

Publisher: Vernacular Books

Review Posted Online: Aug. 31, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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HIDDEN PICTURES

It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE GOD OF ENDINGS

A new and contemplative take on the vampire novel.

Following a vampire across more than 200 years, this novel considers “whether this world and life in it is a kindness or an unkindness, a blessing or a curse.”

At the age of 10, Anna faces illness and death daily as an epidemic sweeps through her town. After the deaths of her father and brother, and when she's at her sickest, her grandfather arrives. Just as she’s about to succumb to the illness that killed her whole family, he transforms her into a vampire like himself. When she asks him why he did it, he replies: “This world, my dear child, all of it, right to the very end if there is to be an end, is a gift. But it’s a gift few are strong enough to receive. I made a judgment that you might be among those strong few, that you might be better served on this side of things than the other. I thought you might find some use for the world, and it for you.” The years that follow are difficult and often wrought with loss for Anna. She lives many lives over the centuries and eventually takes on the name Collette LaSange, opening a French preschool in Millstream Hollow, New York. Chapters alternate between Anna’s life beginning in the 1830s and her current life in 1984 as Collette. Notable points of tension arise when Collette tries unsuccessfully to sate her hunger, which is becoming increasingly unbearable, and as her interest in the artistic growth of a student named Leo deepens. Through decadently vivid prose—which could have been streamlined at times—this hefty novel meditates on major themes such as life, love, and death with exceptional acumen. The final questions in the book—“How presumptuous is the gift of life? What arrogance is implicit in the act of love that calls another into existence?”—serve as an anchor to meditations on these themes found throughout.

A new and contemplative take on the vampire novel.

Pub Date: March 7, 2023

ISBN: 9781250856760

Page Count: 480

Publisher: Flatiron Books

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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