LADY DRAGON

Human and dragon princesses navigate ancient magic and forbidden attraction to save their world.

To maintain diplomatic relations between dragons and humans, Kirek, a draconic princess, is sent in her human form from the dragons’ mountain keep to meet the human Queen of Andrath and her 18-year-old heir, Samansa. Although interspecies pairings are prohibited, the princesses are drawn to one another. When their stolen kiss breaks the Heartstone, which facilitates human-dragon communication, and forges a pair bond between them, the princesses are forced to travel across the realm to uncover the secrets that separate their kinds in the hope of uniting against a growing threat. Although both societies are matriarchal, the worldbuilding features high contrasts between the rugged, utilitarian dragon realm and the soft, lush human one, distinctions that are embodied physically and emotionally in the princesses themselves. Elements of Strickland’s fantasy world feel reminiscent of medieval Europe. The carefully plotted action sequences and battles between dragons result in carnage and aren’t for the squeamish. There is ample LGBTQ+ representation among the main and supporting characters, and the book explores timely topics, such as gender expression, sexism, reproductive freedom, and acceptance of transgender people. Pale, redheaded Samansa, who’s “short and soft and plump,” presents white, and Kirek, in her human form, has purplish gray hair, silver eyes, and pale skin. There’s diversity in skin tone among the supporting characters.

Dramatic and well-wrought, with strong crossover appeal for adult readers.