Next book

THE LAST NEW WORLD

THE CONQUEST OF THE AMAZON FRONTIER

A well-organized, carefully researched, and fascinating study of the devastation of the Amazon rain forest; by Margolis, a Newsweek correspondent for eight years in Brazil. Margolis devotes each chapter to a consideration of a particular economic enterprise (mining, logging, ranching, farming) or social issue (migrant activity, union organization, Indian affairs, the Japanese presence), and describes how these matters are being addressed by both the Brazilian government and the environmental community at large. He provides a concise historical overview, taking the reader through the various stages of Western expansion in Brazil, grounded first in 19th-century Romanticism, then fueled by nationalist sentiments in the early 20th century, and culminating today in Brazil's quest for recognition as a global economic power. Margolis's familiarity with and love for the country serves him exceptionally well in reviewing the present-day scenario; his book's greatest strength lies in the wealth of detail realized through on-site interviews, personal anecdotes, and intimate, almost lyrical, descriptions of place. Although the tone is nonpartisan throughout—zealots on both sides of the debate are taken to task—the author's sympathies clearly lie with the innocent victims of rain-forest destruction, particularly Indians and peasants, and with the ``unsung heroes'' who are working toward the middle-ground solution of sustainable development. Homage is paid to agronomists, pharmacologists, responsible farmers, creative entrepreneurs, and, especially, the extractor/collectors— harvesters of rubber, nuts, and fruit who, under the inspired leadership of the late Chico Mendes, have induced the Brazilian government to set aside millions of forest acres for use as ``extractive reserves.'' A compelling account of the relentless incursion into one of the earth's last frontiers, and a determined call for calm and reason amidst the clamor of increasingly belligerent antagonists. (Photographs and maps—not seen.)

Pub Date: June 29, 1992

ISBN: 0-393-03379-1

Page Count: 384

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1992

Categories:
Next book

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Next book

A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:
Close Quickview