A HAPPY CATASTROPHE

A matchmaker who believes herself able to see love shimmering in the air must get through a series of personal setbacks in her own life.

In this follow-up to Dawson’s Matchmaking for Beginners (2018), Marnie MacGraw and Patrick Delaney return, and the story is told through their perspectives. Marnie is a 33-year-old Florida transplant to Brooklyn, a magically influenced matchmaker, and the owner of a flower shop that has become a community hangout space. She loves Patrick, a prickly artist with significant physical and mental scarring from an explosion that, years earlier, killed his then-girlfriend. The pair live in a Brooklyn brownstone, where Patrick led an almost hermitlike existence in the basement apartment before Marnie inherited and moved into the building. A one-time sculptor, he can no longer create because of the scarring and pain in his hands. The story begins nearly four years into their relationship, with Marnie longing for a baby, Patrick uninterested in being a parent, and the universe taking over their lives as surprise after surprise is dropped into their laps. A broken condom; the return of Tessa, a one-night stand (well, two-night, she and Patrick are quick to point out) with a child in tow; the opportunity for Patrick to put on an art show in a new medium with as-yet-unpainted work; the arrival of Marnie’s mom from Florida; and the constant ups and downs in the lives of a handful of neighborhood teenagers are just the tip of the iceberg. The chaos brings Marnie to life and causes Patrick to withdraw ever further into himself. Dawson has created a truly quirky story, filled with a little bit of magic (think unicorn glitter and sparkles) and a lot of love. This is a long read leisurely told, but there is enough tension to keep the reader racing through its pages.

An optimistic, feel-good story that celebrates love, community, goodness, and the creation of family, however it might appear.