Begins with vivid characters and solid worldbuilding bones but doesn’t entirely hang together.
A teenage genius and his bodyguard uncover unpleasant corporate secrets and face a potentially otherworldly threat in this near-future sci-fi thriller.
New Arcadia is a failing town-sized oil rig in the Canadian Maritimes, recently purchased by Lynch Ltd. Rumors abound about the community’s future, and in the center of this turmoil is thrust Go Jung-Hwa, a skilled fighter and bodyguard for the sex workers’ union. The heir to the Lynch empire, 15-year-old genius Joel, has received death threats that seem to come from the future, and his elderly, ruthless father, Zachariah, believes that only Hwa can protect him. Poor and suffering from a congenital disorder that has stained her skin and given her epilepsy, Hwa has never received the augments or implants that most people have—which means that she can’t be hacked. But that doesn’t mean she and Joel can’t be stalked by an invisible serial killer who targets both them and the sex workers Hwa used to guard. We don’t learn much about the world outside of New Arcadia, but the microcosm we do experience—a single-industry town dependent on the continued need for fossil fuels, where corporations act like governments and nearly everyone is some form of cyborg—is intriguing and feels reasonably grounded in potential future trends. Ashby (iD, 2013, etc.) hints at the more outré, time-travel elements of the plot early on, but they still seem almost grafted on to the more realistic aspects of the story. They detract from the book's hard-edged authenticity and ultimately undercut a major theme: Hwa overcoming her hatred of and shame at her physical appearance. There’s also a killing that occurs midway through the book that ought to have major repercussions for Hwa but is apparently swept under the rug.
Begins with vivid characters and solid worldbuilding bones but doesn’t entirely hang together.Pub Date: May 17, 2016
ISBN: 978-0-7653-8290-0
Page Count: 256
Publisher: Tor
Review Posted Online: Feb. 28, 2016
Kirkus Reviews Issue: March 15, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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