"It's not right in the United States of America that a little kid shouldn't be safe in school," but after hearing a sample of Meg and Charles Wallace Murry's conversation ("Do you suppose I'll ever be a double Ph.D. like you, Mother?") we suspect that their peers' dislike of them may be based on more than brute anti-intellectualism. Anyway, genius first-grader Charles Wallace is deeply involved with his mother's discovery of mitochondria and farandolae; in fact, he's suffering from mitochondritis, and his illness is an important part of the plans of the evil Echthroi who have torn a hole in the galaxy. A mystical teacher, Mr. Blajeny, and a cherubim Proginoskes warn Meg that to save her brother she must learn to love even the unsympathetic school principal Mr. Jenkins (who's kind of like Salinger's fat lady). Having accomplished this task and thereby successfully differentiated Mr. Jenkins from two Echthroi impersonators, Meg journeys with Calvin and Mr. Jenkin's fight down into Charles Wallace's cells to lecture his warring farandolae on "the great plan" and every organism's "unique share in the freedom of creation." The audacity of Ms. L'Engle's mytho-scientific imagination and her undoubted storytelling abilities keep the reader involved in Meg's quest, but one wonders whether its chief appeal doesn't lie in the all too natural desire to believe that our difficulties, like the Murrys', are personal attacks by the forces of cosmic evil — who doesn't like to speculate that their nasty old school principal is really an agent of the devil? Unfortunately, Meg learns to love the universe with unconvincing ease, and L'Engle seems to be straining unusually hard to relate what's wrong with America to the double-talk phenomenon of mitochondria and farandolae.
Pub Date: May 7, 1973
ISBN: 0374384436
Page Count: 232
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: May 1, 1973
Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre.
A dystopic thriller joins the crowded shelves but doesn't distinguish itself.
Juliette was torn from her home and thrown into an asylum by The Reestablishment, a militaristic regime in control since an environmental catastrophe left society in ruins. Juliette’s journal holds her tortured thoughts in an attempt to repress memories of the horrific act that landed her in a cell. Mysteriously, Juliette’s touch kills. After months of isolation, her captors suddenly give her a cellmate—Adam, a drop-dead gorgeous guy. Adam, it turns out, is immune to her deadly touch. Unfortunately, he’s a soldier under orders from Warner, a power-hungry 19-year-old. But Adam belongs to a resistance movement; he helps Juliette escape to their stronghold, where she finds that she’s not the only one with superhuman abilities. The ending falls flat as the plot devolves into comic-book territory. Fast-paced action scenes convey imminent danger vividly, but there’s little sense of a broader world here. Overreliance on metaphor to express Juliette’s jaw-dropping surprise wears thin: “My mouth is sitting on my kneecaps. My eyebrows are dangling from the ceiling.” For all of her independence and superpowers, Juliette never moves beyond her role as a pawn in someone else’s schemes.
Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre. (Science fiction. 12 & up)Pub Date: Nov. 15, 2011
ISBN: 978-0-06-208548-1
Page Count: 352
Publisher: HarperTeen
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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