The best reflect Binchy’s warmhearted sympathy for yearning and regret.



An uneven collection by the prolific Binchy (Maeve’s Times, 2014, etc.).

In a foreword to these 36 tales, Gordon Snell notes that his wife, who died in 2012, “was always full of stories” that she typed “at breakneck speed.” This selection, he says, represents just part of her output, hinting that more volumes are to come, good news for readers who love Binchy’s take on familiar domestic dramas among women and their friends, lovers, husbands, children, and assorted relatives in contemporary Ireland. Marriage is a recurring theme: some women want to find a husband, which often happens when they least expect it; others want to hold onto the husband they have, such as Bella, who decides that if she just loses a lot of weight, “dramatically,” Jim will not marry his young lover, who she imagines is “a skinny little thing,” and she and Jim will live happily ever after. In the world Binchy gently recounts, men are always tempted, and women need to be on their guards. In “Big Decisions in Brussels,” Maura’s aunt advises her to read her handsome husband’s letters and “go through his pockets.” That strategy, Maura reflects, has enabled her “to head off some mild flirtations in the past” by arranging family diversions “when a little adventure was looming.” Even beautiful 28-year-old Laura knows she can’t trust her wealthy older husband, “the tycoon.” Any relationships—whether between spouses, friends, or family—are fragile; it’s better to keep silent and hide unhappiness, even from oneself. When the unmarried 30-somethings Miss McCarthy and Mr. Blake go out for dinner, “by no glance did they let the other know that this was something...[that] might become big.” Some stories are developed enough to impart quiet wisdom; others, though, are mere sketches, with one-dimensional characters and pat, trite resolutions.

The best reflect Binchy’s warmhearted sympathy for yearning and regret.

Pub Date: March 1, 2016

ISBN: 978-1-101-94741-8

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...


An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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