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CROSSING CAINE'S ROAD

A fine debut, written with style and heart.

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Love and second chances sprout like fragile desert wildflowers in this winsome romance.

With her husband in a coma for six years now, Melanie Greyson figures it’s time to start over, so she packs up and moves to the northern Arizona village of Buena Suerte to take a teaching job. Her three kids—especially 17-year-old daughter K.C, dragged away from her friends and trumpet lessons during her senior year—are not amused when they see the tiny burg and the flyblown trailer in which they’ll be living. The Greysons’ malaise lifts, though, when Jesse Cockran, the school’s new music teacher, complete with pony tail, piercing blue eyes, well-muscled frame and haunting trumpet technique, roars up on his Harley and moves in across the street. Soon Jesse is flirting up a storm with Melanie and inspiring K.C., who finds her dreamboat in football captain Cooke Nasby, a soulful if sometimes exasperating boy from the Apache reservation. As Melanie and K.C. plunge into their sometimes tender, sometimes testy romances—the one young and passionate, the other mature and much more passionate—readers will settle happily in with their engaging story, which the author tells with a good feel for the tingling excitement, awkward hesitancies and sudden abandon of new love. Alas, complications both external and internal threaten their bliss: K.C. and Cooke confront the minefield of sex, Jesse battles a hostile school board president and a junkie, harridan ex-wife, and Melanie finds herself torn between her raging attraction to Jesse and her loyalty to her husband—a dilemma made more agonizing by family pressure to pull the plug. In her first novel, Hinton strikes a nice balance between realism and melodrama. She writes a supple prose and populates her small but by no means insignificant town with vivid characters possessing rich, complex emotional lives. We can’t help rooting for Melanie and K.C. as they fight their way through the tug-of-war between desire and responsibility.

A fine debut, written with style and heart.

Pub Date: July 30, 2007

ISBN: 978-1412098410

Page Count: 442

Publisher: Trafford

Review Posted Online: Dec. 14, 2010

Kirkus Reviews Issue: April 15, 2011

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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