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WINDSWEPT HOUSE

The author of Vatican (1986), among others, returns with a mammoth meditation on the troubled state of today's Catholic Church. So troubled, as one of the characters reports to the ``slavic Pope'' who is the central figure here, that ``it's going down.'' In his opening scenes, surprising for this measured writer, Martin portrays an animal sacrifice straight out of Stephen King, and Lucifer's plan is unveiled: to penetrate the Church hierarchy and eventually the Holy See itself with corrupt priests. They are bent on merging with economic and ethical universalists in the public arena, but their true agenda is the ascension of Satan and the annihilation of humankind. A young American priest, Christian Gladstone, from a place of peace called Windswept House, attempts to reverse these trends in his audiences with the slavic Pope; his twin brother, a lawyer, is embroiled in the impending new world order. They are light and dark, but, curiously, the slavic Pope is gray. He as much as anyone stood against Stalinist forces in Eastern Europe, but at a cost to the private message of faith and redemption the Church always has symbolized. But, while he himself has secularized the Church, his personal faith is deeply traditional. He seeks a revelation from an aged nun who participated in the Marian manifestation at Fatima. Can she tell this weary old man when Jesus will return? Does he have the strength for one last battle, as Lucifer stands poised to become Pope? Slowly, indeed, Martin's passions—and his agony over the dire straits of his faith—build into a deeply felt moral crisis. Martin is a close associate with Pope John XXIII, and his knowledge of Vatican politics is extraordinary. He pauses just short of the Apocalypse, but should find readers among Catholics and many evangelicals. Too slow-moving, and too specialized, for everyone else. (Author tour; radio satellite tour)

Pub Date: June 1, 1996

ISBN: 0-385-48408-9

Page Count: 480

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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