by Malla Nunn ‧ RELEASE DATE: June 4, 2019
An engrossing narrative that gently but directly explores complex relationships. (Historical fiction. 14-adult)
A 16-year-old girl finds friendship and questions social hierarchies at her boarding school.
After Adele Joubert is demoted from her favored place among the popular girls and sent to live in a room where a former student died, she begins to question the carefully structured hierarchy of her community. Within Keziah Christian Academy, a school for mixed-race students in 1965 Swaziland, a class system separates the rich from the poor, dictating who eats first at meals and who gets access to the best textbooks. Hair texturism, colorism, and the legitimacy of their parents’ relationships also create divisions that Adele, who is of black and white ancestry, challenges with her budding friendship with her new roommate, Lottie Diamond, a poor outcast of Jewish, Scottish, and Zulu heritage. When classmate Darnell Parns, who is coded as neurodivergent, goes missing, Adele pushes boundaries aside to search for him and, in the process, learns more about her own complicated origins in the sweeping hills where Keziah is situated. With a critical emphasis on power dynamics among the multiracial students, the story moves quickly, focusing on Adele’s interpersonal development. The gorgeous imagery sets the scene wonderfully, and there is mention of the religious and geographical colonization represented in the book, the hazy morals of the adults, and the relationships between black, white, and mixed-race citizens of Swaziland, but the narrative doesn’t dig too deeply into these subjects.
An engrossing narrative that gently but directly explores complex relationships. (Historical fiction. 14-adult)Pub Date: June 4, 2019
ISBN: 978-0-525-51557-9
Page Count: 272
Publisher: Putnam
Review Posted Online: March 23, 2019
Kirkus Reviews Issue: April 15, 2019
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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