A snooze.
A lullaby sends Belle and her stuffed bunny, Boo, off to sleep.
The book opens with the sentient toy Boo stargazing from a treehouse window while Belle, a white girl with a brown bob, sings a lullaby. She’s in pajamas and ready for bed herself. It becomes unclear whether the ensuing text is in her voice or an omniscient narrator’s as she and Boo make their way to dreamland though a variety of settings evoked by the rhyming verses. Succeeding double-page spreads show scenes of a diverse group of children parading off to bed, with Belle and Boo always present. Some settings in this British import show a mismatch between text and art (“cowboys way out on the prairie” are in a cactus-studded desert), while others disappointingly reinforce stereotypes: a scene about dancers seems to omit all boy characters except for a single blond, white boy at center stage while nine girls stand in the wings, and then tipis show up in a nighttime scene with the children reading around a campfire surrounded by tents of many sorts. There’s no call from the text for their inclusion nor any cultural specificity that suggests a Plains Indian presence or context, which problematically renders the structures playthings verging on fantastic props. Throughout, the rhyming text seems a bit drawn-out, and illustrations verge on the saccharine.
A snooze. (Picture book. 2-4)Pub Date: Sept. 27, 2016
ISBN: 978-1-40833-708-0
Page Count: 32
Publisher: Random House
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
A familiar story skillfully reimagined for today’s gadget-savvy youth.
Hannah Hadley is a young special agent who must thwart a clear and present danger to the United States in Hoover’s “smart is cool” young adult novel.
Hannah Hadley might seem like most 13-year-old girls. She enjoys painting, playing with her MP3 player and spending time with friends. But that’s where the similarities end. Hadley doubles as Agent 10-1, among the youngest spies drafted into the CIA’s Div Y department. She’s joined in her missions by her 10-pound Shih Tzu, Kiwi (with whom she communicates telepathically), and her best friend Tommie Claire, a blind girl with heightened senses. When duty calls, the group sneaks to a hidden command center located under the floor of Hadley’s art studio. Her current mission, aptly named “Operation Farmer Jones,” takes her to a secluded farmhouse in Canada. There, al-Qaida terrorists have gathered the necessary ingredients for a particularly devastating nuclear warhead that they intend to fire into America. The villains are joined by the Mad Madam of Mayhem, a physicist for hire whom the terrorists force to complete the weapon of mass destruction. With Charlie Higson’s Young James Bond series and the ongoing 39 Clues novellas, covert missions and secret plans are the plots of choice in much of today’s fiction for young readers, and references to the famed 007 stories abound in Hoover’s tale. But while the plot feels familiar, Hoover’s use of modern slang—albeit strained at times—and gadgets such as the iTouch appeal to today’s youth. Placing girls in adult situations has been a mainstay since Mildred Wirt Benson first introduced readers to Nancy Drew in The Secret of the Old Clock, but Hannah Hadley is like Nancy Drew on steroids. Both are athletic, score well in their studies and have a measure of popularity. Hadley, however, displays a genius-level intellect and near superhuman abilities in her efforts to roust the terrorists—handy skills for a young teen spy who just so happens to get the best grades in school.
A familiar story skillfully reimagined for today’s gadget-savvy youth.Pub Date: Nov. 15, 2010
ISBN: 978-0615419688
Page Count: 239
Publisher: N/A
Review Posted Online: Jan. 3, 2011
Kirkus Reviews Issue: March 1, 2011
Review Program: Kirkus Indie
Pretentious.
These babies are too posh for their own good.
In this smug review of daily life in the Big Apple, including its tourist attractions, the developmental mark is missed entirely. A little girl holds her mother's hand as they stroll through the art museum: “We say MoMA when we really mean Mama.” Less obscurely, a four-panel spread depicts a babe in stroller through changing seasons; the snow piles high and a scarf covers the child's face during the blustery winter. The food-cart experience is represented by a bagel, pizza and pretzel, glossed with a gush: “And we have fun learning our shapes!” In a nod to the city's diversity, youngsters greet each other in a host of languages. Busy pops of bold colors emphasize the hustle and bustle. A darkened cityscape seems to promise rest, but one cry ("Waaaa!") lights up the sky. “New York is the city that never sleeps, but New York babies do…sometimes.” Two concluding pages of suggested parent-child activities overwhelm in their attempt to educate.
Pretentious. (Board book. 2-3)Pub Date: April 1, 2012
ISBN: 978-0-9838121-4-2
Page Count: 22
Publisher: Duo Press
Review Posted Online: June 13, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
