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FAITHFUL SERVANTS

An engaging tale that combines sports, religion, and politics.

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An athlete and his coach team up to save a city threatened by heightened racial tension and violence in this historical novel.

Nehemiah Garvey is a man of faith and a high school basketball star in Newark, New Jersey. It’s the 1960s and the city has been torn apart by riots (or rebellions, depending on one’s perspective). Nehemiah wants to keep playing ball at Sagamore High School, where the talented Mickey Marcus is the coach. But Mickey is the only white coach left in the city and many powerful figures in the black community would like to see him go. Nehemiah and Mickey undertake some basketball diplomacy to help turn Newark’s reputation around. As one writer comments, “Sports can be a great racial equalizer.” Mickey keeps the reins and with Nehemiah leading the community on and off the court, the team launches a bid to win the national title. Little (After Obama, 2014, etc.) sets his fictional tale during the very real and turbulent events of the ’60s, using Newark as a window into the changing demographics of urban areas across the country. Racism is rampant and, as the author demonstrates when his narrative jumps forward in time, it’s still a pressing topic today. Decades later, Nehemiah and Mickey are still fighting to make Newark a peaceful city where whites and blacks have a fair chance for success and equal access to opportunity and safe housing. The author creates two admirable characters in Nehemiah and Mickey, and their multifaceted relationship is a high point of the novel. Little also includes scores of excellent quotes from U.S. presidents, activists, and scholars of the past and present, firmly situating the Newark events on a national stage. Yet the main arc of the narrative is a fictional story, despite the presence of historical figures such as the Rev. Martin Luther King Jr. and Adam Clayton Powell Jr. A clear explanation separating fact from fiction or an annotated cast of characters would have provided clarity, especially for those interested in history.

An engaging tale that combines sports, religion, and politics.

Pub Date: June 16, 2017

ISBN: 978-0-692-88906-0

Page Count: 324

Publisher: MLPR Books

Review Posted Online: May 7, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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