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UNFORTUNATE CHOICES

The ever tenacious, controversial, and quite charming vigilante Dr. Jack Andrews proves his worth once again in this work of...

A drug running Iowa family expands its operation and pays the ultimate price in this third volume of a series.

Veteran operating-room physician and author Veldt (Unfortunate Behavior, 2017, etc.) continues his suspenseful series featuring anesthesiologist Dr. Jack Andrews with this entry that begins with an unexpected shootout between Omaha Sgt. Mike Weber and two mystery men. Meanwhile, after years struggling to make ends meet supporting a wife and four children, local Iowa farmer Bill Daniels finally gets to enjoy a new barn on his family property thanks to trafficking marijuana and methamphetamines. Now nearing 60 years old, Daniels wants out of the business, but his sons Junior, Steve, and Chris have become intoxicated by the thought of making more money on their own by transporting fentanyl to Omaha, and they unceremoniously encourage their father to retire. The author seamlessly ties the opening gunfight to the main plot and identifies one of the dead men shot by Weber as Daniels’ drug running son Steve. The surviving brothers vow revenge and hatch a plan to murder Weber, settle the score, and solidify their hardcore reputation in the urban drug trade. Enter local anesthesiologist, personal ethics crusader, one-man equalizer, and series standard Andrews, who is infuriated by the attempt on the sergeant’s life and promises to avenge the ordeal and bring the offenders to justice. As is typically the case with Andrews, balancing his clinical work at a teaching hospital and efforts to investigate a crime keep him intensely busy, especially since Weber, whom he’s had interactions with, winds up as a patient at his workplace. In this rousing installment, the Daniels clan and its narcotics operation get a boost from second cousin Alex, who joins the brothers in their enterprise. The sergeant then receives a dire diagnosis from doctors, who say the bullet that grazed his hip could spell the end of his active police work. Leads are scarce in the shooting case as the Daniels brothers zero in on Weber’s address and plan a sniper stakeout to kill the sergeant, but Chris ends up injuring his family instead. Veldt writes in spare prose devoid of expository details, exposing the crime and its consequences on both sides of the law. But this particular quality winds up being a double-edged sword. While the story is told with a swift, unfettered sense of urgency and the villains are depicted as supremely nasty, cutthroat, and vindictive, the lack of backstory on any player, good or bad, leaves the characters disappointingly one-dimensional and without internal motivations. If readers can sidestep the relatively superficial character development, the action remains relentless, and the criminals, who’ve become embroiled in a cat-and-mouse game involving the police, Andrews, and a dogged member of the press, demonstrate enough violent brutality and vengeful bloodthirst to meet the good guys toe to toe.

The ever tenacious, controversial, and quite charming vigilante Dr. Jack Andrews proves his worth once again in this work of suspenseful crime fiction.

Pub Date: Aug. 13, 2018

ISBN: 978-1-9831-0150-2

Page Count: 196

Publisher: Time Tunnel Media

Review Posted Online: Dec. 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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