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SEARCHING FOR EL DORADO

A JOURNEY INTO THE SOUTH AMERICAN RAINFOREST ON THE TAIL OF THE WORLD’S LARGEST GOLD RUSH

Sensitive, thought-provoking travel narrative.

A crisply rendered account of “gold fever” in the southern Guyanese rainforest, attuned to the marginalized minor players on the ground.

In refreshingly straightforward prose, freelance journalist Herman explains why he was repeatedly drawn to the same hardscrabble South American region that once bewitched Spanish invaders: “El Dorado was surrounded by gold and diamonds [but] it was not a place easily associated with abundance or riches.” Herman effectively depicts two distinct, competing forms of gold mining. Determined and impoverished individual miners band together to work small, independent claims reminiscent of 19th-century prospecting; they excavate mud with crude pumps and hoses, then treat it with mercury, causing minute quantities of gold to solidify (and creating numerous patches of denuded rainforest and waste mud). These hazardous grassroots operations are overshadowed by internationally financed industrial mines, “enormous factories producing gold with advanced geology and chemistry and millions in heavy equipment.” Favored by the Guyanese government, such operations are bedeviled by the pitfalls of global trade. The Omai mine, for example, became notorious for a massive cyanide spill and despite its large production capacity is unlikely to become profitable due to fluctuations in the world gold market. Herman shrewdly addresses this paradoxical situation, noting that the gold industry’s 1990s campaign to make gold ornamentation ubiquitous actually devalued it as currency. Also, gold-mining stock shenanigans (particularly the huge Bre-X fraud) crippled the industry’s reputation among venture capitalists, which almost ensures that much of Guyana’s mineral wealth will remain buried. The author’s laid-back style and youthfully curious perspective help him capture minor moments of surprising gravity, as when he visits a backroom jewelry factory where local gold is diluted and made into rings that serve as the miners’ bank accounts. Elsewhere, his natural empathy results in solid and affecting portraiture of the Guyanese people; in a remote settlement, he observes that the wildcat miners’ meager profits are evidently invested in their well-clothed, healthy schoolchildren.

Sensitive, thought-provoking travel narrative.

Pub Date: Feb. 1, 2003

ISBN: 0-385-50252-4

Page Count: 272

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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