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THE BODY'S EDGE

OUR CULTURAL OBSESSION WITH SKIN

From the stratum corneum to the hypodermis, an engrossing, warts-and-all census of the body's largest organ. Making up nearly 15 percent of our body mass, the skin protects us, defines us; it even reflects our internal state of health. For as LappÇ (Chemical Deception, 1991, etc.), the director of the Center for Ethics and Toxic Substances (Gualala, Calif.), notes, it is the ``border between wellness and dysfunction.'' Surprisingly enough, for something so visible and apparently simple, much about the skin remains unknown. It may have its own primitive version of an immune system. The colonies of fungi and bacteria that swarm over its surface may perform important symbiotic functions for the host. Humans are one of the few animals without significant body hair, but the evolutionary reasons for this are not understood. LappÇ's own theory is that it was a way to free humans from the onerous, time-consuming chore of grooming themselves in search of lice, mites, etc. Of course, given that Americans spend six to ten percent of their disposable income on cosmetic products (many of which are completely ineffectual), the actual time saved may be minimal. Certainly, without skin, complex life forms could not have evolved. Unfortunately, complex life forms have a bad record of looking after their skin. In the Middle Ages, arsenic was popularly used as a rouge, while lead powder was employed as a whitener. More recently, despite clear experimental findings of its potential hazards, according to LappÇ, silicone was widely used in cosmetic surgery. LappÇ also bluntly chronicles the many dangers of sun exposure (current suntan lotions may not block certain hazardous rays), which we ignore at our peril as the ozone layer thins. LappÇ's account is not as well organized and structured as it should be, and he occasionally lapses into convoluted science- speak. But he has succeeded in taking a subject that usually receives only skin-deep attention and making it both engaging and provocative.

Pub Date: June 4, 1996

ISBN: 0-8050-4208-3

Page Count: 256

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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