A sci-fi mind-stretcher with a strong opening that spirals down confusing pathways.
Via time travel, two siblings are whisked away from an Earth apocalypse in 2016 to a distant-future space station—where they discover they may be the key to saving the world.
In this debut YA novel, high school freshman Emily Clocke and her older brother, Eric— children of a pair of scientists—have unhappily relocated from California to Chicago after their father perished in a lab accident. Her feelings of dislocation are complicated by a science teacher, Ms. Crana, who seems suspiciously attentive to Emily. But a larger crisis looms on the horizon, literally, with the sky changing unnatural colors. Suddenly Eric and Emily are transported from all that they know by Ms. Crana, who claims they are the children of time travelers who lost their memories during an Earth mission. Now the Clocke kids are 500 years in the future at a space station called Caelestis. Earth is a barren rock and its only human descendants are on Caelestis, enhanced physically and mentally by nanotechnology. They call themselves the Remnant and dwell as ultra-logical telepaths and time travelers, troubled by the fact that historical records have been expunged of everything about Earth’s catastrophe. But the Remnant does maintain a quasi-religious “Prophecy” that two visitors will set everything right, and many interpret Emily and Eric as these saviors. As such, the siblings are pretty much allowed to do whatever they want, including maladroit attempts to take “timeships” back to 2016 to see the Earth cataclysm. Can they stop it? Let’s just say the protagonists’ temporal problem-solving would not earn good grades from Doctor Who, as the repeated crisscrossing time zones, snarled cause/effect overlaps, and predestination paradoxes make previous mind-expanding sci-fi material that ventured into such territory (like the films Donnie Darko, 12 Monkeys, and Prime) seem like models of linear storytelling. Mattson’s ambitious time-travel adventure offers an intriguing setup. But the tale ties Möbius strips into pretzels with its plotting. The questions only multiply, as one character says: “I don’t know what any of this means! I don’t know what will happen if I do something differently! Nobody does!” Which may be true, but which leaves a whole lot unexplained by the last page (a sequel is promised). While pitched at a tween to teen readership, adults won’t feel condescended to; it’s pretty puzzling for all ages.
A sci-fi mind-stretcher with a strong opening that spirals down confusing pathways.Pub Date: March 16, 2018
ISBN: 978-1-73203-060-2
Page Count: 322
Publisher: Marley-Goeste
Review Posted Online: Dec. 20, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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