An engaging perspective from a man of the road with the heart of a poet.



A trucker journeys through nooks of America and his own pondering mind.

As a grade schooler, Mayfield spent summers alone, “riding to ends of city bus lines just to see what was there; watching ships unload at old wooden piers; reading in musty libraries.” These seemingly innate propensities for travel, fantasy and solitary contemplation formed the bedrock of the author’s character, ensuring that in middle age, upon discovering an occupation that necessitated them all, he eagerly hoisted his life into the cab of an 18-wheeler. Trucks captivated the young Mayfield in their “mechanical dance…the sinuous dependent movements of tractors and trailers.” Now, as a trucker cum memoirist, he captivates in his retelling of years on the road via routes that covered this country “like scribbles on a blackboard.” From training school to a touching apprenticeship with a seasoned veteran, the narrative follows Mayfield as he learns his trade. The trucking life has its own language, and Mayfield deftly weaves together the highway dialect that crackles over CB radios, often in striking lyricism. He doesn’t shy away from the elemental poetry of solitary life, the cumulative meaning and symbolism of experience: wind, weight, and the mutable passage of time and land. There’s also an inside look at a business that frequently boasts an annual 100 percent employee turnover rate. Often, the narrative takes on the floating, meditative quality of the trucker’s long-haul assignments, yet Mayfield also wrestles with myriad interrupting forces: literal bumps in the road, cantankerous shipping clients, absentminded “four-wheeler” drivers with death wishes and his own frustrated wife, whose mantra—“You’re gone. You’re always gone”—grows more insistent the longer he’s away. Trucking can be a kind of running, Mayfield suggests, alternately running from and running toward. Time on the road is time to “rub the veneer from the lies I’d been telling myself for years,” and ultimately, the road leads him to a truer sense of self.

An engaging perspective from a man of the road with the heart of a poet. 

Pub Date: June 8, 2011

ISBN: 978-1461147091

Page Count: 316

Publisher: CreateSpace

Review Posted Online: Sept. 24, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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