A brisk and entertaining read; less a mystery than an affecting character study and rumination on letting go of the past.

ON GROVE STREET

A NOVELLA

An investigation into two murders in California leads to a house on the titular street, where both victims once lived, in this novella.

The year is 1991. On a San Francisco street, Ian Christian Hamilton is cut down by two bullets. Two days later, in Sonoma, popular musician Edward Hayes is found brutally murdered in his home recording studio. Sonoma County Deputy Sheriff Ben Hyatt comes across a journal that indicates that Hayes and Hamilton were roommates 22 years earlier. He contacts San Francisco Detective Joe D’Alessandro, who is weeks away from mandatory retirement. “Maybe you and I are looking for the same somebody,” Hyatt clues him in. As they track down leads, events unfold through Hayes’ journal entries, which include love letters and magazine clippings, and time shifts that reveal the who and why. One acquaintance refers to the victims as “harmless oddballs.” They are anything but. Hamilton was a wealthy sociopath (notes his ex-wife: “I once asked him where he got the idea he could do whatever he wanted. He said, ‘Where do you get the idea I can’t’ ”). Hayes, disowned by his own wealthy father after being outed as gay, was a prodigious musical talent and seemed poised for stardom after teaming with David Copeland, another Grove Street roommate and a gifted songwriter. (Rolling Stone magazine compares Copeland to James Taylor.) Copeland, much to Hayes’ distress, is focused on teaching and his girlfriend, Kate Anderson. In his enjoyable tale, Mayfield (In the Driver’s Seat, 2011) has an engaging, crisp, spare style when it comes to dialogue that drives the story forward, as in this introductory exchange between “crusty old-timer” D’Alessandro and Hyatt: “You married?” “Not anymore.” “Veteran?” “Army. Vietnam. Infantry.” “Army. Korea. Infantry.” This is the beginning of a beautiful friendship, and if they are teamed up again, one hopes they are given more to do. Readers—privy to information they don’t have—will be mostly one step ahead of them.

A brisk and entertaining read; less a mystery than an affecting character study and rumination on letting go of the past.

Pub Date: Aug. 25, 2018

ISBN: 978-1-5449-8467-4

Page Count: 160

Publisher: CreateSpace

Review Posted Online: Sept. 25, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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