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ON GROVE STREET

A NOVELLA

A brisk and entertaining read; less a mystery than an affecting character study and rumination on letting go of the past.

An investigation into two murders in California leads to a house on the titular street, where both victims once lived, in this novella.

The year is 1991. On a San Francisco street, Ian Christian Hamilton is cut down by two bullets. Two days later, in Sonoma, popular musician Edward Hayes is found brutally murdered in his home recording studio. Sonoma County Deputy Sheriff Ben Hyatt comes across a journal that indicates that Hayes and Hamilton were roommates 22 years earlier. He contacts San Francisco Detective Joe D’Alessandro, who is weeks away from mandatory retirement. “Maybe you and I are looking for the same somebody,” Hyatt clues him in. As they track down leads, events unfold through Hayes’ journal entries, which include love letters and magazine clippings, and time shifts that reveal the who and why. One acquaintance refers to the victims as “harmless oddballs.” They are anything but. Hamilton was a wealthy sociopath (notes his ex-wife: “I once asked him where he got the idea he could do whatever he wanted. He said, ‘Where do you get the idea I can’t’ ”). Hayes, disowned by his own wealthy father after being outed as gay, was a prodigious musical talent and seemed poised for stardom after teaming with David Copeland, another Grove Street roommate and a gifted songwriter. (Rolling Stone magazine compares Copeland to James Taylor.) Copeland, much to Hayes’ distress, is focused on teaching and his girlfriend, Kate Anderson. In his enjoyable tale, Mayfield (In the Driver’s Seat, 2011) has an engaging, crisp, spare style when it comes to dialogue that drives the story forward, as in this introductory exchange between “crusty old-timer” D’Alessandro and Hyatt: “You married?” “Not anymore.” “Veteran?” “Army. Vietnam. Infantry.” “Army. Korea. Infantry.” This is the beginning of a beautiful friendship, and if they are teamed up again, one hopes they are given more to do. Readers—privy to information they don’t have—will be mostly one step ahead of them.

A brisk and entertaining read; less a mystery than an affecting character study and rumination on letting go of the past.

Pub Date: Aug. 25, 2018

ISBN: 978-1-5449-8467-4

Page Count: 160

Publisher: CreateSpace

Review Posted Online: Sept. 25, 2018

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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