In cartoon panels, the inimitable Williams offers snapshots of ancient Rome from the mythological creation of the universe to the fall of the empire.
Lightly salting her account with Latin quips (“In theobroma cacao fidemus!”), Williams pens a semiserious narrative history broken up into bite-sized bits on single-topic spreads (“The Gruesome Gauls”). She illustrates them with small cartoon scenes that depict significant incidents or scenes of daily life. Dropping side comments and the occasional Res vera (“fact”) as he goes, a dozy dormouse aptly named Dormeo Augustus squires young readers along. He leads them past the major gods, the tale of Romulus and Remus, Rome’s first seven kings, the Republic, the Caesars and a select few other emperors. There are side excursions to the Forum and a crowded bath, plus glimpses of patrician and plebeian life, slavery, gladiators and the renowned Roman army. Though a certain amount of mayhem makes its way into her account, the author tones down the worst excesses (as Dormeo puts it, the Sabine women were “treated most cruelly”—that’s one way to put it) or acknowledges them only in passing. Not a very detailed picture, but broad enough to leave younger readers with a general sense of how grand the grandeur was. (Informational picture book. 8-10)
Pub Date: Sept. 10, 2013
ISBN: 978-0-7636-6581-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Fine viewing, but more of an art exhibit than a systematic family history.
Recently discovered hints that most dinosaurs may have been feathered cap a gallery of prehistoric predecessors to today’s birds.
The presentation has more of a cobbled-together feel than Guiberson’s previous look at the deep past, The Greatest Dinosaur Ever (illustrated by Gennady Spirin, 2013). Despite the title, the book goes beyond feathers. Guiberson discusses how the colors of fossilized feathers can be deduced from the shapes of their microscopic melanosomes, but she also describes early appearances of other avian features such as wishbones and a two-legged stance. But that anatomical focus doesn’t extend to the illustrations, as in the dimly lit paintings, dinosaurs loom indistinctly, their colors muted and limbs tightly folded or otherwise angled so that structural details are hard to make out. Eoalulavis appears only as a few tiny figures winging past a pair of immense sauropods, and the towering ornithischian confronting a modern ostrich on the final spread isn’t identified at all. The portraits are arranged in rough chronological order, but there are no clues in text or pictures to the dinosaurs’ specific eras. Despite a reference to the “teeny wings” of Hesperornis and a few other breaks in tone, the author’s commentary is otherwise solid…until its grand but insupportable closing claim that birds now inhabit “every environment on Earth.”
Fine viewing, but more of an art exhibit than a systematic family history. (bibliography) (Informational picture book. 8-10)Pub Date: March 1, 2016
ISBN: 978-0-8050-9828-0
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The story’s focus on Gabe, as cranky and independent as his human, makes for a surprisingly accessible introduction to the...
Just as Steinbeck took Charley on his travels, teenage Gill went with Gabe: “Home was where your friends were, so Gabe and I became each other’s home.”
More in search of a satisfactory place to settle down than some nebulous America, Gill recalls leaving home at 17 and meeting the blue merle husky mix that became her canine companion in a first aid tent at a 1972 Rainbow Tribe festival in Colorado. From there, the two hitchhiked to New Orleans, then onward across the country before fetching up, ultimately, in Alaska. As a late, glancing reference to marriage and divorce indicates, Gill leaves a lot out, but what she includes strings both simple adventures and emotionally complex moments one after another into an episodic but loving tribute. She describes living in the French Quarter, where “overdoses and pistol-whippings by the police were common,” losing her beloved dog and then being joyfully reunited, raising a litter of husky pups abandoned by their mother, and, in later years, running an Iditarod and finally holding Gabe in her arms as old age takes him. The tale is printed on full-bleed color paintings that add considerably to their vividness by centering on the author’s independent, confident-looking figure and on a dog that, as often as not, is posed with teeth bared in a feral snarl.
The story’s focus on Gabe, as cranky and independent as his human, makes for a surprisingly accessible introduction to the 1970s for middle graders. (afterword) (Graphic memoir. 8-10)Pub Date: April 19, 2016
ISBN: 978-1-57091-354-9
Page Count: 64
Publisher: Charlesbridge
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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